Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Plus (includes bonus 7" single)

LP (Item 933394) Veals & Geeks (Belgium), 1972 — Condition: New Copy
LP + 7" (reissue)
Temporarily Out Of Stock

LP, Vinyl record album

✈
❔

Kind of an offshoot of the Marc Moulin world of the early 70s – the self-titled album from Plus, a group made up of musicians from the funky combo Placebo! The vibe is much more open than Placebo, but still shares lots of that group's great talent for mixing together jazz, funk, and trippy bits of prog – all in a way that's never too overindulgent, and always with a nice punch on most of the cuts – so that there's plenty of funky moments too! Drums are great, keeping things very interesting – and the horn passages run from Afro-styled lines with a nice exotic quality, to straighter jazz rock – augmented by some gritty vocals from time to time – in a raspy style that's kind of a 70s update of soulful UK mod styles of the previous generation. Titles include "The Search", "Gimme Some More Of That", "What Did You Do", "Open Letter", "Put Everything Together", and "Enjoy Yourself".  © 1996-2020, Dusty Groove, Inc.
(Includes a bonus pic sleeve single – with the tracks "Kentucky Woman" and "Changing".)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Svart (Finland), 1976. New Copy (reissue)
Not the funky European group of the same name from the 70s – but an even more obscure hard rock quartet from Buenos Aires – and one who perform here with a non-stop sound that's completely wonderful! These guys have clearly drunk deep of the Anglo world of hard rock – ... LP, Vinyl record album

Spiral Galaxy

Spiral Galaxy
Cardinal Fuzz/Lion, 2020. New Copy
A very heady set of contemporary psych – music that's as trippy as it is meditative – and which almost feels like some sort of collaboration between Iasos and Spacemen 3! There's vocals on the record, but they're very muted – and most of the focus is on longform guitar lines, ... LP, Vinyl record album
Del Val, 1971. New Copy (reissue)
A really obscure set from the early 70s east coast scene – much more the kind of record you might expect to hear from the rockies at the time, if not farther west – as this trio's got a warm sound that mixes harmony vocals with acoustic guitars – very post-folk, and with a headier ... LP, Vinyl record album

Umbra

Umbra
Lion, Early 70s. New Copy
Fantastic sounds from a Colorado trio who only existed for a few short years at the start of the 70s – and worked in this wicked blend of fuzz and freak, acid and heavy – all with a sound that's really incredible, given the homemade nature of these recordings! The tracks here aren't ... LP, Vinyl record album
Lysergic Sound, 1960s/1970s. New Copy
Sweeping psychedelia and heavenly hard rock from the late 60s through the 70s – a compilation of fuzzy and tripped out rock for Jesus! Some of the grooves our on the heavier or more lumbering side, others are more cleanly grooving, but are similar in devotion and for their breaking boundries ... LP, Vinyl record album
Lion, 1967/1968. New Copy
A great little package that brings together the first two rare albums by Index – a group that started as a cover band in the suburbs of Detroit in the late 60s, but quickly found their way to some tremendous music of their own! The trio's got a style that's jamming and trippy at the same ... LP, Vinyl record album
Lion/Acme, Late 60s. New Copy
Beautiful early work from Please – aka Peter Dunton, who went onto more famous underground activity in the seminal jazz psych group T2! The music here shares a lot of the melodic qualities of that great group – music that's certainly rock, but which borrows freely from some of the ... LP, Vinyl record album
Imperial/Bear Family (Germany), Late 50s. New Copy
A really cool package of work from one of the most obscure rockers to ever record for Imperial Records in the late 50s – the enigmatic Dennis Herrold, who only issued one single for the label at the time – presented here with the full work from his debut session, plus other material too! ... LP, Vinyl record album
Factory/Rhino, 1983. New Copy
Arguably the most perfect record ever from New Order – a stunning second full length set that has the group emerging from the turgid depths of the early post-Ian Curtis years, and before the schmaltzy pop of the John Hughes generation! The electronics are wonderful – definitely a few ... LP, Vinyl record album
EG/Discipline Global Mobile, 1971. New Copy (reissue)
One of our favorites by King Crimson – and a very underrated record from their earlier years – with a lot more jazz than some of their others! Spacey jazz rock mastery from an incredible group of players – including Mel Collins on lots of flutes and saxes – plus guests ... LP, Vinyl record album
Factory/Warner, 1981. New Copy (reissue)
Much as we love the legendary debut from Joy Division, we love this second album even more – as the whole thing's a perfect realization of their genius – and such a strong step forward, it still pains us to remember that singer Ian Curtis was taken from us all too soon, and the group ... LP, Vinyl record album

Spooner Oldham

Pot Luck
Light In The Attic, 1972. New Copy Gatefold (reissue)
LP...$7.99 19.98
The only solo record by Memphis/Muscle Shoals session hero and songwriter Spooner Oldham! Spooner's organ and piano sessions and knack for soulful songwriting with partner Dan Penn will forever cement his legend in the southern soul AND rock canons, but he rarely sought a spotlight of his own. This ... LP, Vinyl record album
 



⇑ Top