Caravan : For Girls Who Grow Plump In The Night (180 gram pressing -- with download) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

For Girls Who Grow Plump In The Night (180 gram pressing -- with download)

LP (Item 933236) Decca/London/Universal, 1973 
A record with a bit of a gag in the title, but a set that has the mighty Caravan at their classic best -- simply soaring to the skies on some of the best-crafted prog lines of their generation! The lineup has shifted a bit from before -- only core members Pye Hastings on guitar and Richard Coughan on drums -- but the sound is still wonderful, as Dave Sinclair steps on with lots of cool work on keyboards -- and the group get assorted guest help from Brit jazz giants who include Tony Coe on tenor, Pete King on flute and alto, Henry Lowther on trumpet, Frank Rocotti on congas, and Rubert Hine on Arp! Peter Geoffrey Richardson is also a core member of the group, and provides electric viola at many spots -- an instrument which doesn't change the Caravan sound, so much as slide right in and expand it. Titles include "The Dog The Dog He's At It Again", "A Hauting We Shall Go", "Headloss", "Surprise Surprise", "Memory Lain Hugh", and "C'Thlu Thlu".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Edsel (UK), Late 70s/Early 80s. New Copy 2LP
A massive collection of work from these important years in music – and even if you don't know or care about Gary Crowley, who's pictured on the cover, you'll find plenty to love here if you dig UK sounds from the late 70s and early 80s! As indicated by the title, the set focuses on new wave ... LP, Vinyl record album
Edsel/Demon (UK), 1980s. New Copy 2LP
A set that definitely lives up to the intrigue promised in the title – an alternative look at British music in the 80s, served up with some more experimental, unusual tracks that go way past the pop hits of the time! There's still some names here you might know, but there's also work from ... LP, Vinyl record album
Pye (UK), 1967. New Copy (reissue)
A very cool 12" replica of an early EP from The Kinks – one that features a whole host of tracks from that moment when Ray Davies was really taking off with his songwriting, and giving the group some of the most evocative work of their career! The leadoff cut is "Waterloo ... LP, Vinyl record album

Attack

Strange House
Decca/Guerssen (Spain), Late 60s. New Copy
The Attack are one of those bands from the key psych years of the UK scene who never fully got their due – a combo who got a big label contract, and recorded in ways that really perfected their sound – yet also sidelined before most of their music had a chance to find the audience it ... LP, Vinyl record album
Decca (Germany), 1973. New Copy 2LP Gatefold (reissue)
Maybe the first true moment of greatness from Thin Lizzy – a record that really has them coming into their own, with a sharpness that really points the way at their later classics – and that unique approach that has Phil Lynott standing out as one of the most unique singers of his ... LP, Vinyl record album
Rocket/Universal, Late 60s. New Copy
Some of the earliest recordings ever of songs by Elton John & Bernie Taupin – tracks cut at the studios of publisher Dick James Music – the guy who'd soon make enough money from Elton to launch his own record label! The set's almost a lost first album by Elton, as tracks were cut ... LP, Vinyl record album
Universal, 1971. New Copy Gatefold
The first-known recordings of the young Aerosmith – pulled from the group's own vaults, and issued here for the first time! The sound of the group is already strongly in place, and you'll know some of these cuts from their first studio album – but the versions here have a quality that's ... LP, Vinyl record album
Numero, Mid 1960s. New Copy
A very cool soundtrack, and one that offers up a weird and wonderful mix of modes from the mid 60s – bits of surf guitar, garage rock, country, and more – all brought together in a wonderfully evocative mode that hardly needs the images of the offbeat film on the screen! The whole ... LP, Vinyl record album
Jazztone/Sam Records (France), 1957. New Copy (reissue)
Genius early work from a young Barney Wilen – an album issued in the US during a brief time when the French tenor star was turning a lot of heads on the American scene! The date's a great illustration of Wilen's amazingly deft talents on the tenor right from the start – a keen ear for ... LP, Vinyl record album
 



⇑ Top