Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Quinn Martin Collection Vol 2 – The Invaders

CD (Item 933002) La La Land, Late 60s — Condition: New Copy
2CD
Out Of Stock

CD

✈
❔

A really cool collection of sci-fi soundtrack work – a massive 79 tracks pulled from the short-lived but excellent TV show The Invaders – a striking visual experience that was presented with some equally great music! The whole thing is a great reminder of a time when the TV studios would really go all-out with a program – allowing a top-shelf composer to write a whole new score every week – often with a great sense of variety to fit the changing narrative on a week to week basis, which is definitely the case here! The package features great material from a host of west coast composers, some of them from the jazz world too – and CD1 features three full scores by Dominic Frontiere, who also wrote the main theme – for the episodes "The Mutation", "The Experiment", and "The Leeches" – plus the groovy "The Go Go A Go Go" by Don Ralke. CD2 features lots more music, and a really good sense of variety – work by modern jazzman Duane Tatro, for episodes that include "Counter Attack", "The Prophet", "Valley Of The Shadow", "The Spores", and "The Saucer" – plus music from more episodes "The Enemy" by Irving Gertz, "Quantity Unknown" by Richard Markowitz, and the episodes "The Condemned", "The Watchers", and "Condition Red" by Sidney Cutner. There's also a few standalone groovy tunes – "Broodin Mood" by Willard Jones, and "Sunset Strip Watusi" and "Cool Fool" by Don Ralke.  © 1996-2020, Dusty Groove, Inc.
(Limited edition!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Ultra Vybe (Japan), Early 70s. New Copy
Mad soundtrack work from this equally-mad series of Japanese films – tunes that run the gamut from rough-edged girl rock to seductive crime jazz – offered up in a glimmering assortment of sounds that we wouldn't have access to otherwise! The package appears to bring together music from ... CD

Miki Sugimoto

Zero Ka No Onha
Ultra Vybe (Japan), Early 70s. New Copy
Killer soundtrack work from early 70s Japan – most of it quite funky, at a level that matches American blacksploitation grooves of the time – and other cuts that are kind of weird, but in really cool ways – with odd production touches and some cool trippy instrumentation! A ... CD
Beat (Italy), 1971. New Copy
One of the more obscure entries in the caveman comedy genre that cropped up briefly at the end of the 60s – a set of very groovy tunes for a movie that has the females going on a sex strike to keep the men from fighting! There's very little in the music to tie the film to Lysistrata – ... CD
Beat (Italy), Early 70s. New Copy
Beautiful work from Ennio Morricone – 2 soundtracks from different genres of film, but both linked together nicely through their styles! Il Grande Silenzio is a spaghetti western, but Morricone's music for the film is remarkably sweet – done in that blend of light melody, isolated ... CD
Beat (Italy), 1984. New Copy
An overlooked 80s score from Ennio Morricone – not done for an Italian or American film, but for one of Sam Fuller's later directorial efforts in France! The music is fantastic – very much in the best spirit of some of Morricone's genius from the start of the 70s – almost echoing ... CD

Franco Micalizzi

Italia A Mano Armata
Beat (Italy), 1976. New Copy
A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! Most of the orchestrations are quite bold – upbeat rhythms with basslines ... CD
Warner/Wounded Bird, 1971. New Copy
CD...$6.99 11.98
One of the less-remembered records from the era of the giant rock festival – a set of tracks that were recorded during a wild cross-country hippie caravan! Although maybe not another Woodstock, the album does have some long live tracks that are really worth seeking out – in a ... CD

Piero Piccioni

La Notte Brava
Digitmovies (Italy), 1959. New Copy
A fantastic early soundtrack from maestro Piero Piccioni – very jazzy overall, in a style that merges postwar Rome with some of the groovier touches to come on the Italian scene! The tracks are mostly around the two minute mark, and work as these great jazz instrumentals on their own – ... CD

Piero Piccioni

Fumo Di Londra (3CD set)
Beat (Italy), 1966. New Copy 3CD
One of the coolest soundtracks of the 60s – presented here in a massive package that brings forth a wealth of never-reissued music! Piero Piccioni really hit his stride for the music to this film that was directed by its star – the effervescent Alberto Sordi – a fantastic send-up ... CD

Roland Haynes

2nd Wave
Black Jazz/Real Gone, 1975. New Copy
One of the heaviest keyboard albums you'll ever hope to find – a completely sublime session that not only features Fender Rhodes by pianist Roland Haynes, but also features additional keyboards from Kirk Lightsey – a double blend that really makes the record sparkle! The twin-keyboard ... CD

Aquiles Navarro & Tcheser Holmes

Heritage of the Invisible II
International Anthem, 2020. New Copy
One of the boldest albums so far on the International Anthem label – and that's really saying a lot, given the boldness of most of their records! The set features wonderfully dynamic energy from Aquiles Navarro and Tcheser Holmes – the former a trumpeter, the latter a drummer – ... CD
Spiritmuse, 2020. New Copy
A bold vision for a better version of our nation – served up here by percussionist Kahil El Zabar, but in a mode that also has him working as the conductor of a larger ensemble too! The record has all the sense of pride, power, and optimism of some of the best sessions of this type from the ... CD
 



⇑ Top