Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Super Hits

CD (Item 932969) Sony/BMG, Early 70s — Condition: New Copy
$2.99 ...

CD

List Price: 7.99

Legendary early 70s Philly Groove recordings by the Delfonics – all of them tiny little masterpieces of 70s group soul harmony! The band were one of the best of the decade, and they have an amazing talent for making their vocals come together with a real edge, hitting lots of strange notes and weird chord changes that end up sounding fantastic together. Titles include "Hey Love", "Trying To Make A Fool Of Me", "Walk Right Up To The Sun", "Tell Me This Is A Dream", "La La Means I Love You", and the huge hit "Didn't I (Blow Your Mind This Time)".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Reprise/Omnivore, 1972. New Copy
Funky 70s Little Richard – very much in the spirit of his Rill Thing album, although a bit more polished! The album features production and arrangements from New Orleans soul legend Bumps Blackwell – who first handled Richard way back when – and the record's sort of divided half ... CD
Paisley Park/Warner, 1987. New Copy 3CD
A fantastic record from Prince – a double-length set that came out at a time when the purple one was brimming over with energy and new ideas – and a step slightly in the direction of more socially conscious material! Everything that was great about Prince before the record is ... CD
Coed/Omnivore, Early 60s. New Copy
Two rare albums from Adam Wade – both originally issued by the Co-Ed label in the 60s! First up is And Then Came Adam – great work from Adam Wade – a slightly overlooked singer of the 60s, and one who steps out here in a great mix of soul styles and fuller vocal modes! Wade ... CD
CBS, 1975. New Copy
Amazing! Earth Wind & Fire's ultimate moment of the 70s – and a perfect blending of all their influences that stands as a lasting tribute to their super-huge effect on soul music! The record features all aspects of the band coming into perfect cohesion – bassy funk, mellow soul, ... CD
Epic, 1976. New Copy
A killer album of crossover soul from the mid 70s – one that dropped like a bomb when it hit, and gave this UK group a number of big hits in America! Keyboardist Rod Temperton wrote all the tracks on the album – and he's got keen talent for both funky numbers and ballads. If soul ... CD
Columbia/Legacy, 1973. New Copy
A brilliant double live album by Bill Withers – different than his studio work, and every bit as essential! The album's similar to Curtis Mayfield's double live album around the same time – in that it's got Bill in front of a very enthusiastic crowd, playing in a stripped down way that ... CD
Columbia/Sony, 1970s/Early 80s. New Copy 9CD
An amazing legacy in soul music – the legendary run of records that Bill Withers cut for the Sussex and Columbia labels – each of them a masterpiece in their own way! The early hit sound of Withers is the stuff that dreams are made of – a unique blend of acoustic instrumentation, ... CD
Sony, 1975. New Copy
A previously-unissued live set from Earth Wind & Fire – recorded during their monumental tour of the US in 1975! The performance captures the group at the height of their powers – working with a tightness that's incredible, especially considering the massive stage setting – ... CD

Chaka Khan

Homecoming
BMG, 2020. New Copy
The great thing about classic soul singers is that they never seem to drop the ball – and even late in the game, on a record like this, Chaka Khan shows us why she was one of the greatest stars of her generation! The set's a recent live one, with backing from a tight funky group – and ... CD
Sony (UK), Late 60s. New Copy 2 CDs
A heck of a cool group – with a really cool sound! The Peddlers were a late 60s British trio, with a sound that was part soul, part jazz, part supper-club vocals – all done with a clean approach and a nice instrumental twist that often included a bit of Hammond organ! A big chunk of ... CD
Jasmine (UK), Late 50s/Early 60s. New Copy
Maybe the most overstuffed collection of work we've ever seen from early New Orleans soul legend Eddie Bo – a set that not only includes his early classics for the Ric label, but also more obscure material for Apollo, Chess, Ace, and Swan – all brought together here with a number of ... CD

Staple Singers/Curtis Mayfield

Let's Do It Again (with bonus tracks)
Warner/Omnivore, 1975. New Copy
One of our favorite albums ever from The Staple Singers – and that's really saying a lot, as they cut a huge amount of really great records! The album's an unusual collaboration between the group and Curtis Mayfield – one that forges the great vocal styles they were developing at Stax ... CD
 



⇑ Top