Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Invisible Light – Live Sao Paolo

CD (Item 931344) Ezz-Thetics/Hat Hut (Switzerland), 2019 — Condition: New Copy
$16.99 ...

CD

A record with a title that's as beautiful as its sound – one that draws key focus on that magnificent light that's been shining forth in the music of Matthew Shipp in recent years – a fantastic stretch that has the pianist really coming back into action, and maybe sounding even more amazing than before! The set is solo – recorded live in Sao Paulo in 2016 – and is a great illustration of the new focus and expanded vision that Shipp has been bringing to his music – yet in a way that's maybe slightly understated, even though that's kind of an odd thing to be saying about such a player – maybe we just mean that Matthew's not trying too hard to state himself, and that makes the music even more magical in the process. Tunes include some fantastic reworkings of standards – "Yesterdays", "Angel Eyes", "On Green Dolphin Street", and "There Will Be Another You" – as transformed in Shipp's hands as when a player like Anthony Braxton approaches them – alongside original titles that include "Gamma Ray", "Patmos", "Blue In Orion", "Symbol Systems", and "Invisible Light".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Franz Koglmann Septet

Fruits Of Solitude
Ezz-Thetics/Hat Hut (Switzerland), 2019. New Copy
Complex horn magic from the great Franz Koglmann – always a great musician on his own, but even better when he gets a chance to share his concepts with a larger group! In this case, the septet features five horn players and two string musicians – Franz on trumpet and flugelhorn, John ... CD
Hat Hut/Corbett vs. Dempsey, 1980. New Copy Gatefold
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups ... CD

Joe McPhee

Glasses
Hat Hut/Corbett vs. Dempsey, 1979. New Copy
Extraordinary work from one of the true giants of the American scene – a mindblowing set of mostly solo sounds from reedman Joe McPhee – also working here on flugelhorn and a bit of percussion as well! The set begins with the incredible "Glasses" – a piece that appears ... CD
Hat Hut/Corbett vs. Dempsey, 1977. New Copy
Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural ... CD

Joe McPhee & Andre Jaume

Nuclear Family
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold
Insanely beautiful work from the great Joe McPhee – an album that was recorded and intended to be issued during his groundbreaking stretch with Hat Art Records – but which never saw the light of day at the time! Why that happened, we're not entirely sure – because the album is ... CD

Anthony Braxton

Quartet (Dortmund) 1976
Hat Hut (Switzerland), 1976. New Copy
A brilliant performance from one of Anthony Braxton's coolest groups – a very striking quartet that features George Lewis on trombone, Dave Holland on bass, and Barry Altschul on drums and percussion! There's a special sort of energy that really seems to flow from the players – maybe ... CD

Misha Mengelberg

Two Days In Chicago
Hat Hut (Switzerland), 1999. New Copy 2CD
Pure beauty! In October of 1998, Misha Mengelberg made an historic visit to Chicago – a rare trip programmed to coincide with a showcase of Dutch jazz that featured him and the Ab Bars trio, playing at Fred Anderson's legendary Velvet Lounge. The trip was notable in that it also became the ... CD
Hat Hut/Corbett vs. Dempsey, 1975. New Copy
A beautiful set of live improvisations from reedman Joe McPhee – recorded early in his time with the Hat Hut label – at a concert in Willisau, Switzerland – already showing Joe's strong relationship with the European scene! The tracks here are all long, and every bit as creative ... CD

David S Ware

Theatre Garonne 2008
Aum Fidelity, 2008. New Copy
A fantastic live set from the great David S Ware – recorded at a key point in his career, when he was moving away from his longtime work with Matthew Shipp on piano, and embracing a new group with Joe Morris on guitar! Morris is wonderful here – really at his best, and driven on by the ... CD
Everland (Netherlands), 1970s/Early 80s. New Copy 5CD
A special box set that collects all the key early albums from guitarist Osamu Kitajima – including a few rock moments too! First up is Shinchugoku – the earliest album we've ever seen from legendary guitarist Osamu Kitajima – a set that's a bit more pastoral and down to earth, as ... CD
Jazzman (UK), Early 70s. New Copy
A great introduction to the awesomely funky music of Hilton Felton – an artist who's got a heck of a lot to offer, and who issued some amazing albums on his own great label during the 70s! Felton's a real original – a multi-talented guy, an inspirational businessman, and an all-around ... CD
Jazzman (UK), 1960s/1970s. New Copy
Amazing sounds from Jef Gilson – one of the coolest, hippest jazz musicians working on the European scene of the 60s and 70s! Gilson has his own label – Palm Records – and was noted for his keen sense of collaboration, and openness to new ideas – not just modern elements ... CD
 



⇑ Top