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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
If you think this one was strangely compelling as a play or a film, you'll find it even more wild as a record! The play's groundbreaking frankness with homosexual life comes off here almost as an ethnographic recording from the West Village – as a bunch of gay men talk openly about their ... LP, Vinyl record album
One of the greatest of Barry's scores for the James Bond films – early enough to be raw, but confident enough to change up the mood nicely! The theme song features vocals by Tom Jones – and the rest of the tunes almost reads as a who's who of hipster influences, as so many of them have ... LP, Vinyl record album
An amazing performance of the Threepenny Opera – maybe one of the best! The lyrics here are all translated into English, with a rough quality that makes them even more dark – and vocals are handled by Lotte Lenya – as well as Charlotte Rae and Bea Arthur, both of whom are ... LP, Vinyl record album
Great work from Earl Hagen – one of TV's better composers, as you'll hear from this tight set of tracks! The core mode of the music is crime jazz, but Hagen also adds in a lot of dramatic flourishes and contemplative passages – and the show's exotic locales (Mexico, Japan, Burma, Hong ... LP, Vinyl record album
A great lost crime jazz soundtrack – penned by Elmer Bernstein in the style of some of his best work from the 50s! There's a real Man With The Golden Arm feel here – as the orchestra rises and falls in a mode matching the Staccato title – and solos break out with a fluid and ... LP, Vinyl record album
One of the strangest moments of success in the early years of Verve Records – and one of the label's few soundtracks too! The album's one that cleverly combines the core Verve jazz approach with some larger orchestrations by Adolph Deutsche – in a set of tunes based around the ... LP, Vinyl record album
Wonderfully groovy stuff – and one of the best soundtracks ever by the great Italian composer Armando Trovajoli! The record has a very similar feel to his legendary Seven Golden Men soundtrack – with a groovy swinging jazz vocal group (I Cantori Moderni) over jazzy riffing and groovin ... LP, Vinyl record album
Excellent work from trombonist Grachan Moncur III – famous for his 60s work on Blue Note and with Archie Shepp, sounding as great here as he did on those recordings! The session features Moncur hitting an Archie Shepp-ish, spiritual vein in his playing – recorded in Paris with a group ... LP, Vinyl record album
A far-reaching early gem from Roy Ayers – a set that's much more jazz-based than his later work, and a record that has him touching base with the Blue Note and Strata East sides of the jazz spectrum! The lineup here is incredibly hip – a mix of players that includes a young Charles ... LP, Vinyl record album