Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Radio Verde – Cape Verdean Dancefloor Magic

CD (Item 930802) Colourful World (Netherlands), Late 70s/Early 80s — Condition: New Copy
$15.99 ...

CD

A very cool little set – one that looks at the lost legacy of grooves from Cape Verde – recorded during a late 70s/early 80s stretch that's very different than sounds from that scene a few years before! The music isn't strictly straight dancefloor work – although it does borrow lots of keyboards from both the American and European scenes of the time, but used in ways that are often balanced with a warmer flow in the instrumentation – almost as if the electro elements have fallen into the tunes by accident – creating this very cool interplay that really keeps things interesting! The vibe is very different from some of the stiffer, colder synth work on the West African scene of the early 80s – and the rhythms nicely echo an earlier generation, but with more of a modern boogie approach. Titles include "La Mamai Ta Bem" by Jose Casimiro, "Mitamiyo" by Mendes & Mendes, "Coracao Dum Criola" by Galaxia 2000, "Rua D'Lisboa" by Vlu, "Tchon Di Somada" by Elisio Vieira, "Bo Terra Cabo Verde" by Cabo Verde Band, and "Rapaz Novo E Malandro" by Americo Brito & Djarama.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Gyedu-Blay Ambolley

11th Street Sekondi
Agogo (Germany), 2019. New Copy
A killer contemporary set from Gyedu Blay Ambolley – one of the Afro Funk heroes of the 70s, still sounding fantastic after all these years! The album was all recorded at Ambolley's Simigiwa Studios in Ghana – and arrangements, instrumentation, and production are all in a very classic ... CD
Soundway (UK), Late 70s/1980s/1990s. New Copy 2CD
A great set that moves towards the farther reaches of the Caribbean scene in the 80s – music that's much more underground than some of the bigger soca and tropical hits of the time! As you might expect from the Soundway label, the work here is a very unusual, very well-done presentation of a ... CD
Sublime Frequencies, Late 60s/1970s. New Copy
A wonderful batch of instrumental folk & pop sounds from 60s & 70s Pakistan – with more than a little bit of garage rock, surf pop, mod and beat influences – all anchored by regional folk sounds, strings and melodies! It was a fertile time in Pakistan for an influx of western ... CD

Mor Thiam

Dini Safarrar
Rite/Jazzman (UK), 1973. New Copy
A killer little record that's way more than just a set of obscure Afro-styled grooves – given that the whole thing was produced by funky soul genius Oliver Sain – and features work from avant jazz musicians who include Oliver Lake on alto and flute, Lester Bowie on trumpet, and Charles ... CD

Geraldo Pino & The Heartbeats

Let's Have A Party
PMG (Austria), 1974. New Copy
CD...$6.99 16.99
Let's Have A Party, indeed – as it's hard not to celebrate when a record sounds this great! The album's a boiling batch of Afro Funk numbers from the legendary Geraldo Pino – a key influence on the sound of Fela, and an artist with a sound that's got a bit more James Brown in his ... CD

Harry Mosco

Country Boy
PMG (Austria), 1978. New Copy
CD...$6.99 16.99
Sweet grooves from Harry Mosco – once the leader of The Funkees, but stepping out here with some wicked work from the London scene at the end of the 70s! The album's got a snapping electric vibe – sometimes clubby, but with more of a funk feel overall – thanks to some heavy ... CD
Habibi Funk (UK), 1977. New Copy
A really mindblowing set of music from late 70s Lebanon – an ambitious blend of jazzy instrumentation, poetic vocals, and larger instrumental impulses – all with this soaring sort of energy that reminds us of some of the more complex Brazilian records of the 70s, or of some of our ... CD
Soul Jazz (UK), 1970s. New Copy
Incredible sounds from a scene that most folks don't know at all – the heady music of Venezuela in the 70s, recorded at a time when the nation was bursting with new strengths and bright ideas! The work here is different than Brazilian, Columbian, or Peruvian sounds of the time – but ... CD

Rupa Biswas

Disco Jazz
Numero, 1982. New Copy
A record that's got to be one of the coolest recorded in Calgary during the early 80s – as it offers up a really unusual blend of modes that definitely lives up to its title, and which also borrows a bit from Indian music as well! Singer Rupa Biswas fronts a group that's equally strong on ... CD
Soul Jazz (UK), Mid 70s. New Copy
A fantastic collection of lesser-known gems from the 70s scene in Nigeria – music that's a great counterpart to better-remembered Afro Funk and soul from international giants like Fela Kuti and King Sunny Ade! This set digs deep, and is a nicelly expanded version of a set that Soul Jazz ... CD
Rev-Ola (UK), 1973/1975. New Copy
CD...$4.99 14.99
One of the hippest groups of the Nigerian scene of the 70s – presented here in two classic albums, back to back on a single CD! Chapter One is a landmark set of African grooves – very unusual in both conception and execution – with a feel that's unlike anything we can think of! ... CD

El Wali

Tiris
Sahel Sounds, 1994. New Copy
A fantastic album from a West Saharan group dedicated to political independence of the Sahrawi people, but who also work with a great blend of older acoustic styles and a few contemporary electric elements! The music has maybe a touch of Tuareg guitar in the mix, but there's also some powerful ... CD
 



⇑ Top