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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Some of the first great sounds to come from the legendary Studio One Records – an assortment of early rocksteady singles, including a fair bit of rare gems we've never heard before! These rocksteady tracks are the precursor to later reggae work from Jamaica – and show a strong ... LP, Vinyl record album
One of the best-selling albums ever from Bob Marley – a classic collection of work from his all-too-short career – and one that's gone onto become as famous as Marley's individual records themselves! The collection really allows all the classics to resonate strongly, in a track order ... LP, Vinyl record album
Marley's last studio LP, this effort shows there was no letting up, either in his political stance or fiery songwriting. With the solid original rhythm section of Family Man & Carlton Barrett and the beautiful backing harmonies of the I-Three's, this set includes classic takes of "Redempti ... LP, Vinyl record album
Def Jam and collides with the dancehall new school: "Straight Off The Top" by Dipset, "Anything Goes" with CNN, Wayne Wonder and Lexxus, "Mardi Gras (rmx) by Tanto Metro & Devonte and Joe Budden, "Lyrical .44" by Method Man & Redman with Damian Marley, ... LP, Vinyl record album
Jacob Miller has been most well known as the lead singer for the hit reggae group Inner Circle, though he also enjoyed no small success, and cut many great sides, as a solo artist. This collection, part of the United Artist Anthology Of Reggae Collector series compiled in the late 70s, brings ... LP, Vinyl record album
We're not entirely certain of the precise connection to Pablo here, as this set is credited as Augustus Pablo Presents, but it's excellent all the same – and there is some tasty knob twirling courtesy of the master King Tubby! There's some sweet melodica blowing over some rhythms that sound ... LP, Vinyl record album
A record that will definitely send you to the promised land – thanks to its wonderful use of dub-style production, which creates waves and waves of heavenly sound! The tracks are long and open-ended – much more so than some of the shorter dubs of the time – served up in these ... LP, Vinyl record album
King Curtis brings the sound of Memphis up to the New York studios of Atlantic Records – working here in an all-instrumental mode that serves up his own sax-heavy takes on the big 60s hits of Stax Records! The album's maybe a bit telling – given the way that a year later, Atlantic took ... LP, Vinyl record album
James Brown plays organ on this one, but it's mostly an effort to showcase various other artists that he was producing at the time, and who traveled with him on the road. Includes cuts by Baby Lloyd, The Jewels, James Crawford, and a young Vicki Anderson. This stuff was cut years before the ... LP, Vinyl record album