Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

1982 (Hex Enduction Hour/Room To Live/In A Hole/bonus tracks) (6CD set)

CD (Item 928661) Kamera/Cherry Red (UK), 1982 — Condition: New Copy
6CD
$49.99 ...

CD

An amazing package – three great albums by The Fall, plus lots of bonus tracks too! First up is Hex Enduction Hour – one of our key go-to albums by The Fall – a set in which all their early promise really came into focus – with even more wit and power than before! The jagged lyricism of Mark E Smith is razor-sharp – as is the instrumentation, which is heavy on that trademark noisy guitar from Craig Scanlon, weird keyboards from Marc Riley, and the driving power of the double drummers in the group! The music is every bit as textually explosive as the words on the cover – and titles include "Who Makes The Nazis", "And This Day", "Jawbone & The Air Rifle", "The Classical", "Mere Psued Mag Ed", "Fortress/Deer Park", and the classic "Hip Priest". Is Room To Live the greatest album ever by the Fall? We're always tempted to say so – because there's something here so perfect, so focused, it's hard to think of a better album to illustrate the genius of Mark E Smith! The rhythms are weirder, the lyrics more poetic, and the guitars a bit more razor sharp than before – yet the record's also not going as easily for the catchy hooks and clever turns of phrase that would take a bit of steam out of the whole Fall sound in years to come. Darkness, but delivered with a smirk – and a record that still brings us limitless joy today! Titles include "Joker Hysterical Face", "Hard Life In The Country", "Marquis Cha Cha", "Room To Live", "Papal Visit", and "Solicitor In Studio". In A Hole is a fantastic double-length live album by The Fall – recorded at a time when the group was at the height of their creative powers! Tracks are pulled from their important early albums and singles, and delivered with a searing intensity that shows just how much the group could hang on to their jagged edge and razor-sharp wit in front of a live audience – especially one on the other side of the globe! Titles include "The Container Drivers", "Fantastic Life", "English Scheme", "Impression Of J Temperance", "Room To Live", "Hip Priest", "Marquis Cha Cha", "Backdrop", "Hard Life In The Country", "Who Makes The Nazis", "Gramme Friday", "Slags Slates Etc", and "Look Know". Box set features a bonus CD with Sessions, Singles, and Soundchecks – including material from live sets in Leeds, Manchester, and London, plus John Peel material from 1981. And another bonus CD with a full live set recorded in Melbourne, in 1982 – 14 tracks in all!  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


RCA/Cherry Red (UK), Mid 70s. New Copy 4CD
Ziggy Stardust guitar genius Mick Ronson issued a pair of 70s albums on the David Bowie Mainman imprint for RCA – and both of those records are included here, plus a huge amount of never-issued tracks and bonus material too! First up is Slaughter On 10th Avenue – Mick Ronson's first ... CD
Cherry Red (UK), Late 70s/Early 80s. New Copy 3CD
Noise galore from the British scene of the punk and post-punk years – a fantastic exploration of the deeper sonic riches of the world of records at the time – and one that effortlessly moves between art, academic, and more popular-based recordings! You'll recognize some of these ... CD
RPM (UK), Late 50s/1960s. New Copy 4CD
An amazing look at the world of New York music in the late 50s and early 60s – and a set that's got a much more urban vibe than you might guess from the cover! The vibe here is partly hinted at by the Broadway address in the title – as most of these tracks come from a time and stretch ... CD
Reprise/Now Sounds (UK), 1967/1968. New Copy
CD...$3.99 14.99
Glittering sunshine pop throughout! MC Squared has a name that may sound like a weak late 80s crossover rapper, but the group's a killer harmony act from late 60s Reprise Records – produced to perfection by Lenny Waronoker, and given the same mix of tight studio and hip undercurrents that ... CD
RPM (UK), Late 60s. New Copy
CD...$6.99 13.99
One of the greatest groups going on the New Zealand scene of the late 60s – killer at covers, and even stronger with their own compositions too! There's a definite Brit invasion feel to the material, especially at the start – as you might guess from the overall look of the package ... CD
Grapefruit (UK), Late 60s. New Copy
CD...$6.99 13.99
Great early work from The Secrets – a UK group that features early contributions from later singer/songwriter Clifford T Ward – but in a style that's much more group-oriented overall! Ward's already a hell of a songwriter – and loads of the cuts here are under-discovered nuggets ... CD
Cherry Red (UK), 1977. New Copy 3CD
A really great look at a key year in British punk – a time when the music really broke open, and artists from a wide range of scenes began to make music in a punk rock vein! The set has way more variety than you might expect – not just the big names and new acts that were helping ... CD
Cherry Red (UK), Late 70s/Early 80s. New Copy 4 CDs
A huge document of one of our favorite moments in the UK scene – a time that paralleled the rise of punk, but which also produced a fair bit of music in a very different vibe – even though the artists were inspired by the same sort of energy! Most of the groups here are exploding with ... CD
Cherry Red (UK), 1970s/1980s. New Copy 4CD
An insane amount of material from the enigmatic Iain Matthews – pulled from his personal archives, and featuring rare material with Matthews Southern Comfort, Plainsong, and some of his other projects – plus plenty of other tracks recorded on his own! These aren't just rough nuggets or ... CD
Cherry Red (UK), Late 60s/Early 70s. New Copy 7CD
An incredible run of music from a really legendary band – a quintet who were as important to the British folk scene as Fairport Convention – and one who worked with an equally hip sort of vibe! Where that group featured key work from a young Richard Thompson and Sandy Denny, this one ... CD
Cherry Red (UK), Late 70s/1980s. New Copy 5CD
The northern side of the UK scene finally gets its due – all with a sound that's a lot more exciting than the spare landscape pictured on the cover! The work is all from Scotland, and it's hardly the music of kilts and bagpipes – because nearly all these tracks had a huge influence on ... CD
Inevitable/Cherry Red (UK), Late 70s/Early 80s. New Copy 3CD
A great little package that finally gives the Liverpool scene its due – especially during a time when many other English cities are credited with helping to shape the sound of modern music! Late 70s Liverpool had little going on since the Beatles and Brit Invasion groups – but the rise ... CD
 



⇑ Top