Fall : 1982 (Hex Enduction Hour/Room To Live/In A Hole/bonus tracks) (6CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

1982 (Hex Enduction Hour/Room To Live/In A Hole/bonus tracks) (6CD set)

CD (Item 928661) Kamera/Cherry Red (UK), 1982 — Condition: New Copy
6CD
Out Of Stock

CD

✈
An amazing package – three great albums by The Fall, plus lots of bonus tracks too! First up is Hex Enduction Hour – one of our key go-to albums by The Fall – a set in which all their early promise really came into focus – with even more wit and power than before! The jagged lyricism of Mark E Smith is razor-sharp – as is the instrumentation, which is heavy on that trademark noisy guitar from Craig Scanlon, weird keyboards from Marc Riley, and the driving power of the double drummers in the group! The music is every bit as textually explosive as the words on the cover – and titles include "Who Makes The Nazis", "And This Day", "Jawbone & The Air Rifle", "The Classical", "Mere Psued Mag Ed", "Fortress/Deer Park", and the classic "Hip Priest". Is Room To Live the greatest album ever by the Fall? We're always tempted to say so – because there's something here so perfect, so focused, it's hard to think of a better album to illustrate the genius of Mark E Smith! The rhythms are weirder, the lyrics more poetic, and the guitars a bit more razor sharp than before – yet the record's also not going as easily for the catchy hooks and clever turns of phrase that would take a bit of steam out of the whole Fall sound in years to come. Darkness, but delivered with a smirk – and a record that still brings us limitless joy today! Titles include "Joker Hysterical Face", "Hard Life In The Country", "Marquis Cha Cha", "Room To Live", "Papal Visit", and "Solicitor In Studio". In A Hole is a fantastic double-length live album by The Fall – recorded at a time when the group was at the height of their creative powers! Tracks are pulled from their important early albums and singles, and delivered with a searing intensity that shows just how much the group could hang on to their jagged edge and razor-sharp wit in front of a live audience – especially one on the other side of the globe! Titles include "The Container Drivers", "Fantastic Life", "English Scheme", "Impression Of J Temperance", "Room To Live", "Hip Priest", "Marquis Cha Cha", "Backdrop", "Hard Life In The Country", "Who Makes The Nazis", "Gramme Friday", "Slags Slates Etc", and "Look Know". Box set features a bonus CD with Sessions, Singles, and Soundchecks – including material from live sets in Leeds, Manchester, and London, plus John Peel material from 1981. And another bonus CD with a full live set recorded in Melbourne, in 1982 – 14 tracks in all!  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Cherry Red (UK), Late 70s. New Copy 12CD
A stunning selection of early work from The Fall – a package that brings together all the music they recorded in the late 70s, plus a number of unissued live sets from the same time! As with the other boxes in this series from Cherry Red, the presentation is amazing, and amazingly ... CD
Vertigo/Esoteric (UK), Late 1960s/Early 1970s. New Copy 6CD
A landmark batch of work from the British jazz scene – the complete early run of recordings from Colosseum, maybe the greatest jazz-rock group of their time! The combo grew out of earlier work in the beat group generation – informed strongly by American jazz and R&B, but already on ... CD
Grapefruit (UK), Late 1960s. New Copy 4CD
Brilliant early work from Alan Hull – best known as the creative guiding force of Lindisfarne, but heard here on a whole host of earlier tracks that really showcase his songwriting brilliance and really wonderful vocal style – most of which have never been issued before! Hull's maybe a ... CD
United Artists/Esoteric (UK), 1973. New Copy 2CD
The final studio album from Family, and a set that really has the group coming down strongly on all the best elements they crafted together on previous records! The vocals of Roger Chapman, as always, are a real charm – some of the most distinct of his generation, and perfectly at home in ... CD
Cherry Red (UK), Late 70s/1980s. New Copy 3CD
A killer look at one of our favorite scenes in the UK in the punk years and beyond – the city of Leeds, home to a surprising amount of really fantastic groups – some of whom were initially united in a scene-based style, many more who later exploded in a range of very groovy modes that ... CD
Strawberry (UK), Late 60s/Early 70s. New Copy 3CD
A really cool package that's way more than just the blues promised in the title – as the set brings together work from a variety of scenes and styles, all showing the many ways that American blues had such an impact on UK sounds from the mod generation onwards! There's definitely some tracks ... CD
Island/Esoteric (UK), Late 60s/Early 70s. New Copy 2CD
Very cool work from Quintessence – an overlooked British group at the end of the 60s, and one who've got a sound that's every bit as spiritual as you'd guess from the cover! These guys are so influenced by Eastern thought, their lead singer is named Shiva – and most of the group ... CD
Mercury/Cherry Red (UK), Mid 60s. New Copy 5CD
The short but brilliant career of The Runaways, served up here in a really great box set – one that features all four of their studio albums (including one not released in the US at the time), and their more obscure live album from Japan! Together, the five records tell the tale of a group ... CD
Cherry Red (UK), Mid 60s. New Copy 5CDs
Rare lost work from one of the grooviest groups to work with UK production genius Joe Meek – instrumental combo The Tornados, a guitar-heavy group who were to England what The Ventures were to the US! Meek's production talents really opened up the sound of the group – taking their ... CD
Cherry Red (UK), Late 80s/Early 90s. New Copy 4CD
There's a 4AD-styled image on the cover – and the set looks at a moment in late 80s music when things were nicely swirling together – when production was getting a bit more layered and sophisticated from a few years before – yet not in a way that was overly polished or commercial! ... CD
Cherry Red (UK), Late 80s/Early 90s. New Copy 4CD
The end of the 80s saw a huge new shift in music on the UK scene – a moment when indie rock and club music collided – and guitar-based work was back on the dancefloors in a really big way! Part of the shift came from years of UK interest in house, electro, and other American styles ... CD
Cherry Red (UK), Mid 80s. New Copy 3CD
A amazing look at the British indie scene during one of its greatest stretches – the mid 80s period when it seemed like new labels and new bands were springing up every week! The 2CD set takes its name from the influential C86 collection put together by NME at the time to showcase some of ... CD
 



⇑ Top