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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sweet steel guitar instrumentals from the great Pete Drake, with a bit of fiddle too – on versions of "Am I That Easy To Forget", "Lonely Street", "Let It Be Me", "Welcome To My World", "Blue Velvet", "Clinging Vine", and "Near ... LP, Vinyl record album
A completely sublime first album from the great Bobby Womack – and a set that already has him sounding quite different than any of his contemporaries! Bobby's got a southern soul vibe at the start, to be sure – but he also works things in this amazingly fresh way, too – a bit of ... LP, Vinyl record album
One of the key records from the Cadet/Concept scene in late 60s Chicago – a tremendous collaboration between pianist Ramsey Lewis and arranger Charles Stepney – and the kind of record that took soul and jazz to a whole new level! Ramsey on his own is great enough at this point – ... LP, Vinyl record album