This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Overlooked genius from Brook Benton – moving past his simple hit style here to work with arranger Belford Hendricks in a set of tunes that's a bit more "singerly". The tracks are mostly ballads and slower, sadder numbers – sung by Brook in a style that's slightly emotive, but ... CD
Late Bar-Kays – when the group were getting the "rock" out of their grooves, hitting the bass a lot heavier than before, and opening up in that slicker funkier style of the late 70s. Given that the group had a big hand in defining the sound and style of mainstream funk in the years ... CD
An overlooked bit of mid 70s funk from the Ohio Players – cut right at the height of their brilliant Mercury years! The album's got a smooth and slinky finish that has the band tightening up a lot from their Westbound years – going for a compressed spacey soul sound on some of the ... CD
The standout classic from Junior Giscombe – one of the more unique soul artists of his generation! The set's probably best known for its huge hit single "Mama Used To Say" – a killer cut with an incredibly catchy hook, and a groove that's lasted for years on 80s groove ... CD
Loads of classic singles – 20 in all – with cuts that include "I've Got So Much To Give", "It's Ecstasy When You Lay Down Next To Me", "You're The First The Last My Everything", "Honey Please Can't Ya See", "Never Never Gonna Give You Up" ... CD
A stellar bit of boogie from Con Funk Shun – produced to perfection by Skip Scarborough, and done in a style that has lots of jazzy elements! The album was recorded well into the group's time on the Mercury label, but it's a real standout from the rest – thanks to an extremely well-writ ... CD