This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A set that's right on target, right from the start – and one that has the young Cannonball Adderley really coming into his groove! The set's a lot more soul jazz-oriented than some of Cannon's records from a few years before – played by a rock-solid group that includes brother Nat ... CD
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live ... CD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... CD
A stunning set funky 70s jazz! Drummer Al Foster leads the crew on this obscure Japanese session produced by Teo Macero – one that bursts out with a strong funky jazz groove that reminds us of some of the best drum-heavy electric 70s sessions in our collection, like work by Ed Thigpen or Les ... CD
Incredible early work from Yusef Lateef – some of his best! On these early Savoy side, Lateef is drawing from the wealth of influences that were running through the Detroit jazz underground of the 50s that spawned him – and apart from a strongly-conceived bop-influenced sound, you'll ... CD
Beautiful fusion from guitarist Steve Khan – one of those great 70s players who could play things tight, yet still keep an edge! The album's got a well-produced groove – the same sort of soulful undercurrent you'd get in other Columbia fusion sets of the period – yet Khan's ... CD
Classic early bop material from Dexter Gordon – originally issued as 78s in the 40s, and packaged here in a hip 50s album with a very groovy cover! The set features work from 1945, 1946, and 1947 – with Gordon in different three different groups – one with Leo Parker on baritone ... CD
One of the rarest Art Blakey sessions of the late 50s – recorded during that brief time when the Jazz Messengers featured Jackie McLean on alto sax! The set's recorded with an edge that's perhaps a bit rougher than some of the other Blakey records during this "many labels" stretch ... CD
A fantastic album from Pepper Adams – one of his best, and an incredibly swinging session that will make you forget that he's playing a heavy baritone! At some level, the session shouldn't work so well – as it's got a rhythm group that's not particularly hard-hitting – with Hank ... CD
The one and only album that Sun Ra ever cut for the Savoy label – a beautifully understated session that mixes more conventional jazz with some particularly Ra-like touches! The group on the set is extremely tight – especially the horn work of John Gilmore, Marshall Allen, and Pat ... CD
A double-length set from this famous Japanese group – one that features a range of 60s recordings from the ensemble, all of which show why they were easily one of the best big bands working in the East! There's a charm here that's halfway between Stan Kenton and Count Basie – the sense ... CD