This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... CD
A great second album from Mahavishnu Orchestra – one that has them still very might in the same tight formation as the first! As before, there's a heck of a lot of power here – monstrous work on drums from Billy Cobham, sharp-edged guitar from John McLaughlin, and a range of great ... CD
Benny Goodman's famous 1938 live date at Carnegie Hall – with work from Teddy Wilson and Count Basie on piano, Lionel Hampton on vibes, Johnny Hodges on alto, Cootie Williams and Buck Clayton on trumpet, and Lester Young on tenor – plus Gene Krupa on drums, on his famous reading of ... CD
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... CD
Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized ... CD
A second pairing of the Art Ensemble Of Chicago and the Amabutho Male Chorus – one that's indicated not just in the title of the record, but in a changing of the group's name! The sound here is even more Afro-styled than the previous effort – coming across right from the start with a ... CD
2 fusion classics from guitarist Eric Gale – back to back on one CD! Ginseng Woman is wonderfully strong effort from Gale – a player who'd done countless studio work on fusion sessions in the 70s, but who never really broke that strongly as a leader until this set! Gale's tone here is ... CD
One of the most gimmicky cover images ever used to sell the music of Thelonious Monk (and Monk himself hated the image) – but a key classic from his legendary years at Columbia Records! The album's got an edge that definitely lives up to its title – even if the cover photo is a bad ... CD