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(Cover has a lightly bent corner and a partially unglued bottom seam.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great work from Merle Haggard on Epic – the kind of record that some folks might pass over in favor of his late 60s Capitol Records material, but which we treasure just as much as the years go on! Merle's voice is fantastic at this point – able to handle a growing range of themes with ... LP, Vinyl record album
An album that lets Tom Rush bring in a lot more of his own songs than his Columbia Records debut – a great reminder of the early years of his career, when Tom gave the world a few songs that were picked up and redone by some of his key contemporaries! The style moves Rush even more past folk ... LP, Vinyl record album
Very cool bluesy tracks with an amazing steel guitar blues sound that would make Nick Tosches cream! Vocals are laid down by Fenton Robinson, Larry Davis, and King Ivory Lee, and the tracks incude "My Woman Has a Black Cat Bone" and "Rockin' in the Coconuts". LP, Vinyl record album