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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very unique little record – and one with a sublime blend of Latin, soul, and vocal styles! The record's a fair bit more sophisticated than most other efforts like this from the 60s – thanks to a strong batch of talents that includes Gil Fuller on arrangements, Phil Moore III on piano ... LP, Vinyl record album
One of Poncho's excellent 80s sides for Concord/Picante – some of the finest Latin jazz recorded in the US at the time, taking the torch from the New York scene, and showing that west coast players could really keep the groove strong and true! Poncho leads a group that includes piano, ... LP, Vinyl record album
A great early album by Poncho Sanchez – cut before he moved onto the smoother style of the Concord label, at a time when he was the hottest young thing on the west coast Latin scene! The sound is tight and jazzy, with lots of strong soloing on the best tunes – and a lineup that ... LP, Vinyl record album
One of Willie's great slammers for the Bronca label in the early 80s – all sessions that cook with the same burning energy of the best New York salsa sets of the 70s! Vocals on the album are by Tony Vega and Gilberto Santa Rosa – and Willie's timbales help the whole thing groove along ... LP, Vinyl record album
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... LP, Vinyl record album
Wonderful funky fuzzy moogy! The cover proclaims that this is the "first album of electronic rock" – and although we don't know how true that is, the record's a nice batch of moogy covers – featuring tracks like "Grazin In the Grass", "Aquarius", "Penn ... LP, Vinyl record album
Fantastic! The lost link in the Chicago soul scene of the 60s was Baby Huey – and he was a pretty darn big link too, if you've ever seen him in pictures! Weighing in at about 300 pounds, Baby Huey was sort of a rockin' soul star who played clubs on both sides of the city, to audiences of ... LP, Vinyl record album
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... LP, Vinyl record album
The first LP by Charles Tolliver's legendary group on Strata East – a core quartet that features Tolliver on trumpet, Stanley Cowell on piano, Cecil McBee on bass, and Jimmy Hopps on drums and percussion – all augmented by some larger backings for the session! The core sound is amazing ... LP, Vinyl record album
Heavy funk from the mighty Reuben Wilson – one of his first few albums for Blue Note, and a solid soulful groover that's right up there with Lou Donaldson's work for the label at the time! Tracks are nice and long, and pretty open – often with that kicking drum sound at the bottom that ... LP, Vinyl record album