This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Masterful later work from saxophonist Gary Bartz – proof that he kept on growing and maturing his style after his initial explosive years in the 70s! This album is a bit more subtle than those righteous classics, but still carries a lot of message in the music – a suite of tracks ... CD
One of the all-time classics of early 60's mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this ... CD
A great 80s date – with Bartz on alto, Butch Lacy on piano, Clint Houston on bass, and Billy Hart on drums – a really great rhythm trio who help Gary soar on tunes that include "Samuel", "Never Never Land", "Monsoon", and "Uncle Bubba". CD
Features Steve Coleman on alto and soprano sax, Stanley Cowell on piano, Santi W. Debriano on bass, and Joe Chambers on drums. Tracks include "Theme For Ernie", "Wail", "Sylvia's Place", "Come Sunday", "St. Croix", and "Prayer For Peace". CD
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out ... CD
Includes the songs "(It's No) Sin", "And So To Sleep Again", "Spellbound", "Lost In A Fog", "Carioca", "Midnight Sun", "If I Could Be With You (One Hour Tonight)", "I Can't Get Started", "Ruby", "Song ... CD
Two jazz giants of the 70s come together on this rare Italian recording from the late 60s – South African pianist Dollar Brand (Abdulla Ibrahim) and Argentine tenorist Gato Barbieri – both working here in spare duo formation, with edges that are a fair bit sharper than most of their ... CD
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from ... CD
The Bastard's 2nd album is a little more schizophrenic, twisted, and under the influence than his first. It sounds a little more inspired by George Clinton and Flavor Flav, as raw dog as a hip hopper can shimmy without getting arrested. Tracks include "Cold Blooded", "Rollin Wit ... CD