Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

400 Miles From LA – 1955/1956

CD (Item 924377) Light In The Attic, Mid 50s — Condition: New Copy
Out Of Stock

CD

✈

Lee Hazlewood is looking a bit nervous on the cover – very different than the swaggering bravado of his mustachioed fame of the late 60s – which is quite fitting, given that these tracks were all recorded very early in his career! The collection presents the debut of a set of early demo recordings by Lee – recorded in Phoenix, at a time when his flame was just starting to flicker – but with a clear songwriting genius that already points the way towards the tremendous work he'd do on his own, and for other singers! Most numbers just feature Hazlewood on vocals and guitar, with occasional extra guitar from Al Casey – but Lee's also already starting to use echo to bring out the best quality of his songs, creating all these cool and moody little corners that make the music sound very different than regular demo recordings. Titles include "Five Thousand & One", "Cross Country Blues", "Peculiar Guy", "Buying On Time", "The Country Bus Tune", "The Old Man & His Guitar", and "Fort Worth". Also includes a full early draft of the album Trouble Is A Lonely Town – ten more songs that include "Run Boy Run", "Big Joe Slade", "Georgia Chain Gang", "Six Feet Of Chain", and "Long Black Train".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


MGM/Light In The Attic, 1966. New Copy
CD...$6.99 14.98
We love Lee Hazlewood – and this album is one of his best! The record's a stunning batch of Lee's original compositions – all wonderful examples of the way that Lee could take a postwar fascination with Western themes and images, and turn it on itself to reveal the anxieties and ... CD
MGM/Light In The Attic, Late 60s. New Copy
CD...$6.99 14.98
Pure genius from Lee Hazlewood – one of his gems cut for MGM in the 60s, and a session that features some great small combo backings! The feel here is almost a jazz-inflected take on the slight country tinge of Lee's other work – a style that's as sophisticated and unique as Hazlewood's ... CD
EMI (UK), 1973/1977. New Copy
CD...$7.99 11.99
2 incredible slices of Lee Hazlewood – both pulled from his later, less-documented years too! Poet Fool Or Bum is a wonderful set that follows in the spirit of Lee's great Swedish recordings of the time – done in a mode that's got traces of folk, bits of outlaw country, and all of the ... CD
Light In The Attic, 1960s/1970s/1980s/1990s. New Copy
CD...$6.99 14.98
Wonderful work from one of our favorite singers of all time – an artist with roots in jazz, but one who quickly stepped out into something else entirely – as you'll hear on this beautiful selection of tunes! Karin Krog's been a key figure in the Norwegian jazz scene since the start of ... CD
Light In The Attic, Late 60s/Early 70s. New Copy 4 CDs + DVD
Incredible work from the legendary Lee Hazlewood – music and images that blow away his previous generation of creation for MGM, Mercury, and Warner Brothers – served up here in a package that really captures all the genius of Hazlewood during these amazing years! The package features ... CD
Light In The Attic, 1970. New Copy
CD...$6.99 14.99
One of the wildest of the classic Free Design albums, and one that will leave you scratching your head – thinking that these guys were either the biggest acid freaks around, or the most simplistic kiddie-minded adults you'll ever meet! We don't know what got into the water in the studio on ... CD

Ranny Sinclair

Another Autumn
Columbia/Modern Harmonic, Mid 60s. New Copy
A long-overdue full length album from Ranny Sinclair – a very cool 60s singer who recorded for Columbia Records with a very groovy style – including a few obscure tracks done with piano legend Dave Brubeck! The sound here is beautiful – breathy at times, with some bossa currents ... CD

Leon Thomas

Leon Thomas Album
Flying Dutchman/BGP (UK), 1970. New Copy
CD...$8.99 14.99
Leon Thomas' first album for Flying Dutchman – and one of his best ever! The vibe is very similar to his work with Pharoah Sanders – with long modal tracks that bring out the best side of Thomas' spiritual vocalizations – especially on the 17 minute track "Pharoah's Tune ... CD
Ace (UK), Late 50s/Early 60s. New Copy
A great run of music from the mighty Arthur Prysock – an incredibly soulful singer who was at the top of the heap in the early 60s, but who's largely forgotten all these many years later! Prysock had a really unique approach – and one that really paved the way for some of the bigger ... CD

Chiko Honda

Chiko
Aketa's Disk/Ultra Vybe (Japan), 1979. New Copy
An unusual vocal jazz session from the Japanese scene of the 70s – a record that's a bit different than some of the more staid readings of standards at the time, as singer Chiko Honda has a really nice bite to her style – and works with a small, rough-edged combo too! We might say ... CD

Carmen McRae

I'm Coming Home Again
JAS/Ultra Vybe (Japan), 1978. New Copy 2CD
A great smooth soul session from Carmen McRae – an album that's not nearly as well known as her American sides of the 70s, but which is possibly even better overall! The record features a great batch of smooth soul arrangements by Mario Sprouse – a blend of jazz and contemporary soul ... CD
Capitol/Jasmine (UK), Late 50s. New Copy
A pair of overlooked gems from singer Ed Townsend – a talent we'd rank right up there with Jesse Belvin or Arthur Prysock in his early years! First up is New In Town – an obscure early session from Ed Townsend – an artist who's perhaps better known as a songwriter of hits for ... CD
 



⇑ Top