Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Le Beat Bespoke Vol 8 – Tailor Made Cuts Compiled By Rob Bailey

LP (Item 923686) Detour (UK), Late 60s/Early 70s — Condition: New Copy
❔

Killer cuts from one of the coolest compilation series we've ever stocked – the long-running Beat Bespoke collection from mod maestro Rob Bailey – a collector with a surprising ear for a funky groove! The records here are all rare rock singles from the late 60s and early 70s – tunes from that time when UK mod was turning into freakier, trippier modes – but Rob also makes sure that most of these numbers have strong basslines or really great drums – which means that the whole thing grooves a lot more than any other collection of rare rock singles – with more than enough appeal to fans of offbeat funk as well! As with previous volumes, the track selection is superb – we're not sure we've heard any of these numbers at all – and titles include "Please" by BG System, "Painted Air" by The Remaining Few, "Down To The Sky" by Sean Bonniwell, "Seasons" by Neal Ford & The Fanatics, "Mister Sun" by Sound Vendor, "How It Used To Be" by Oedipus & The Mothers, "Searchin" by Lenny Roberts, "I Want You" by Tony & Terri, "Sally I Do" by Abdullah's Regime, "Love's A Workin" by Dean Carter, and "Tomorrow's Sunlight" by The Estes Bros.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Vostock (New Zealand), 1970s/Early 80s. New Copy 2LP
A little-heard assortment of rare funk tracks from the 70s – all music with a unique hybrid of styles, originally only issued for the small scene in Aotearoa – which most of us know as the nation of New Zealand! The music here draws on both American funk and south Pacific styles – ... LP, Vinyl record album
Soul Jazz (UK), Late 70s/Early 80s. New Copy 2LP + 7inch Gatefold
Sun Ra was one of the first 20th Century artists to soar off in space, and George Clinton followed his lead with the Mothership in the 70s – and after that time, there was a surprisingly huge legacy of funk and soul artists who also headed for the cosmos – as you'll discover in this ... LP, Vinyl record album
Aloha Got Soul, 1960s/1970s/1980s. New Copy
A really unusual little compilation – hardly anything that you might expect when you think of Hawaiian music – but that's kind of the lesson we've also been learning from the Aloha Got Soul label! Instead, the package brings together obscure recordings from the island state – ... LP, Vinyl record album
Soul Jazz (UK), Late 50s/1960s/1970s/Early 80s. New Copy 3LP
Deeply spiritual jazz from the American underground of the 20th century – music that sits in a perfect space between straight jazz and more avant garde material – always reaching out in this really soaring, searching sort of way – but never too outside or free! Rhythms are at the ... LP, Vinyl record album
Soul Jazz (UK), 1960s/1970s. New Copy 3LP
One of the best compilations of New Orleans funk we've ever seen! Sure, the reissue market is always filled with stuff from the Crescent City – but so many New Orleans compilations are cheapo knock-offs, designed to cash in on the drunk Jazz & Heritage crowd, or they're simplistic sets ... LP, Vinyl record album
Jazzman (UK), Late 60s/1970s. New Copy 2LP Gatefold
The Jazzman label hits a whole new level of brilliance – as they turn their funk-trained crate digging skills to the world of spiritual jazz! The collection's an amazing batch of ultra-rare tunes – tracks that take inspiration from the John Coltrane/Archie Shepp work on Impulse Records ... LP, Vinyl record album
Soul Jazz (UK), Late 70s/Early 80s. New Copy 3LP
Great cuts from the old school – pulled together from the earliest days of hip hop – at a time when the boundary lines in the music weren't so fully formed! These days, the difference between hip hop and club cuts is huge – but back in the South Bronx scene at the start, there ... LP, Vinyl record album
Soul Jazz (UK), Late 60s/Early 70s. New Copy 3LP
The hippest funky jazz from the start of the 70s – music that takes all the pride, power, triumph, and challenge of the 60s – and focuses into a bold new energy for a young generation! The work here draws equally from jazz and soul, with lots of other global influences coming into play ... LP, Vinyl record album
Mr Bongo (UK), Late 60s/1970s. New Copy 2LP
Mr Bongo reminds us once again why they've been one of our favorite labels of the past few decades – delivering a masterful collection of rare funky dancefloor grooves around the globe for their Record Club Volume 3! True to form, it's vintage rare funk, bossa, Afro Soul and underground ... LP, Vinyl record album
Numero, Early 80s. New Copy
A set that's got one of the more obtuse presentations we've ever seen from Numero – and that's saying a lot, given some of their releases in recent years – but a record that actually takes them back to the kind of rare funk and soul that made us fall in love with the label in the first ... LP, Vinyl record album

France Gall

Best Of France Gall
Universal (France), 1960s. New Copy
One of the greatest French female singers of the 60s – presented here in a classic collection of work! If you've gotta dig one gal vocalist of the Parisian scene of the time, Gall is definitely your girl – as her brash, bold style of singing really sums up the hippest, grooviest French ... LP, Vinyl record album
Columbia, 1971. New Copy
One of Terry Riley's most enduring works, and a haunting record that contains two extended modal minimal jams – "Rainbow In Curved Air" and "Poppy Nogood & The Phantom Band". "Rainbow" features Terry interweaving cool keyboard lines on organ, electric ... LP, Vinyl record album
 



⇑ Top