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CD, LP, Vinyl record album cover art
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Standards

LP (Item 923426) ORG, Early 60s — Condition: New Copy
(reissue)
Just Sold Out!

LP, Vinyl record album

❔

A really unusual setting for Sun Ra – given that the legendary jazz figure is working here on a host of American songbook standards – and not the cosmic tunes of his own creation! And yes, as you might guess, there's an offbeat feel to almost all the performances here – which stand as a great way of illustrating the deep respect for jazz history that Ra had, even though he was always pushing the music in different directions! There's a number of moments that are quite respectful of the melodies, while others are a bit more offbeat – and the work features Ra solo on one track, working with the bass of Ronnie Boykins and tenor of John Gilmore on the rest, plus work from drummer Clifford Jarvis and trumpeter Walter Miller on four titles. Tracks include "Can This Be Love", "Keep Your Sunny Side Up", "But Not For Me", "Time After Time", and "Easy To Love". First time on vinyl!  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


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Saturn/Modern Harmonic, 1974. New Copy (reissue)
A really wonderful album from Sun Ra and the Arkestra – recorded during their early 70s relationship with Impulse Records, but rejected by the label at the time – because the sound was too far ahead of its time! That lack is our gain, though – as the session's gone onto legendary ... LP, Vinyl record album
Impulse/Modern Harmonic, 1975. New Copy Gatefold (reissue)
The final album issued by Impulse Records in their short-lived, ill-fated partnership with Sun Ra – and maybe the most far-reaching of the bunch! The album features three long tracks – all of them relatively open and unbridled – put together with less of a song structure than ... LP, Vinyl record album
Saturn/Cosmic Myth, 1966. New Copy 3LP Gatefold
Fantastic material from the legendary Sun Ra – groundbreaking solo piano material, which shows a completely different side of his genius away from his work with the Arkestra! The package presents all volumes of Ra's seminal sides from 1966 – including a third volume, which has never ... LP, Vinyl record album

Jamie Saft

Hidden Corners
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Pianist Jamie Saft is building up a great name as a collaborator with older jazz musicians – really finding a way to unlock the best aspects, or "hidden corners", of their talents – and that's definitely the case here, in a very fluid quartet setting with the great Dave ... LP, Vinyl record album

Minoru Muraoka & New Dimension Group

Bamboo
King/Mr Bongo (UK), Late 60s. New Copy Gatefold (reissue)
60s jazz meets Japanese bamboo flute – all in a session with a great mix of groovy and exotic touches! The record's a unique meeting of jazz and folkloric elements – done in a style that's a bit like some of the late 60s sessions of this nature on MPS, but a fair bit groovier overall ... LP, Vinyl record album

Marshall Allen, Danny Ray Thompson, Jamie Saft,

Ceremonial Healing (3LP red vinyl pressing) (2019 Record Store Day Release)
Rare Noise (UK), 2019. New Copy 3LP
A masterful meeting of the minds – as the set brings together Sun Ra Arkestra members Marshall Allen and Danny Ray Thompson – with contributions from the younger generation of Jamie Saft, Trevor Dunn, and Balaz Pandi – plus a bit of guest work from trombone legend Roswell Rudd! ... LP, Vinyl record album
Impulse/Modern Harmonic, 1973. New Copy
One of the darkest Sun Ra albums of the early 70s – and a set that's also a bit unusual in his catalog as well! The album was issued during Ra's run with Impulse Records – a period that mostly saw the label reissue previous records from the Saturn catalog – save for a rare few ... LP, Vinyl record album
Modern Harmonic, 1959/1960/1962. New Copy
Great early work from Sun Ra & The Arkestra – two never-issued tracks, and a classic Saturn Records groove! "Rocket Number Nine" may well be one of the group's strongest early anthems – a propulsive number that's bold enough to soar to the skies – driven by old ... LP, Vinyl record album
Sweet Earth, 1979. New Copy (reissue)
A great late 70s session by Sun Ra – released on the small Sweet Earth label, recorded in 1979, with a version of the Arkestra that includes John Gilmore on tenor, Marshall Allen on alto, Eddie Gale on trumpet, and June Tyson on vocals – plus Sun Ra himself on Fender Rhodes, percussion, ... LP, Vinyl record album
Saturn/Cosmic Myth, 1979. New Copy (reissue)
One of the rarest 70s albums in the Sun Ra catalog – and one of the most unique, too – given that the format here is a piano trio, of the style often used by other jazz musicians – but completely transformed here in the hands of Ra! The music is sometimes straight, but always ... LP, Vinyl record album

Akira Ishikawa

Back To Rhythm
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Heavy funk from a hip Japanese combo – one that features lots of drums and percussion from leader Akira Ishikawa, plus plenty of guitar, keyboards, and hard-riffing horns! Akira's taking most of his cues here from American funk of the early 70s – work by Incredible Bongo Band, BT ... LP, Vinyl record album

Jamie Saft/Steve Swallow/Bobby Previte

You Don't Know The Life
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Keyboardist Jamie Saft works here with a mighty great trio – one that features older giants Steve Swallow on electric bass and Bobby Previte on drums – all bringing a great sense of energy to Saft's own work on Hammond organ, Whitehall organ, and Baldwin electric harpsichord! The ... LP, Vinyl record album
 



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