A fantastic collection – four classic Philly International albums from this legendary group – plus a CD of bonus material too! First up is I Miss You – a groundbreaking record that forever changed the course for male soul music in the 70s – a set that has the young Teddy Pendergrass fronting the Blue Notes with a sound that's completely sublime – a mix of rough and smooth, personal and polished – which really pushed the music forward strongly for generations! The strength of the record really comes through in these amazing long tracks that have Teddy speaking, then singing – "I Miss You" and "Be For Real" – delivering a message of mature, masculine power – very much in keeping with the new values that Philly International were putting forth. The whole album's great, though – a sophisticated soul masterpiece, with the tracks "Ebony Woman", "Yesterday I Had The Blues", and "Let It Be You". Next is Black & Blue – a killer batch of studio tracks, despite the live image of the group on the cover! The album's got a slightly more expansive feel than some of the other Teddy Pendergrass-era albums by The Blue Notes – almost a mini-symphony of soul, and one that takes arrangements from Bobby Martin, Norman Harris, and Vince Montana – and wraps the vocals up in a soaring, righteous sort of feel! The rougher, more personal Teddy Pendergrass style of I Miss You is folded a bit more into the harmonies of the rest of the group here – and the result is a powerful wave of soul that pushes The Blue Notes right to the top of the pack. The album features classics like "The Love I Lost" and "Is There A Place For Me" – plus other nice material like "Concentrate On Me", "It All Depends On You", and "I'm Weak For You". To Be True is one of the legendary classics from the Philly International years of Harold Melvin & The Blue Notes – a time when the group was featuring the tremendous lead vocals of the great Teddy Pendergrass! The set's a stunner all the way through – one of the best Philly mixes of smooth, professional backings and deeply personal lyrics – as Teddy soars to the top of the mix with his excellent leads, and gets excellent support from the rest of the Blue Notes on harmonies – but also steps aside to make a bit of space to introduce singer Sharon Paige on one cut, who'd have a greater role in the group in years to come. The songwriting, production, and other Sigma Studios touches are sublime – and titles include "Hope That We Can Get Together Soon", "Where Are All My Friends", "Bad Luck", "To Be True", "Nobody Could Take Your Place", and "All Because Of A Woman". On Wake Up Everybody, Teddy Pendergrass and crew get a bit more political than on earlier releases, and adopt the righteous bubbling soul groove that had put the O'Jays over the top a few years earlier – with incredible results! The title cut – "Wake Up Everybody" – would prove to be a great example of the political Philly International hit formula applied to socially conscious themes, but the record probably scored even bigger with the club crossover hit "Don't Leave Me This Way". Other tracks include "Keep On Lovin You", "Tell The World How I Feel About Cha Baby", "I'm Searching For A Love", and "You Know How To Make Me Feel So Good" – the latter two of which also feature female vocals by Sharon Paige. Bobby Martin, Norman Harris, and Ronnie Baker did the arrangements – and this was Teddy's last LP with the group. CD3 features bonus tracks – some of them nice and long – titles that include "I Miss You (live)", "Everybody's Talkin", "Bad Luck (Tom Moulton mix)", "Don't Leave Me This Way (Tom Moulton mix)", "The Love I Lost (live)", and "If You Don't Know Me By Now (live)". © 1996-2019, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.