Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Lux & Ivy Dig The Beatniks – A Collection Of Finger Lickin Grooves, Deep Thinking Diatribes, & Exploitation 45s

CD (Item 923321) Righteous (UK), Late 50s/Early 60s — Condition: New Copy
2CD
Temporarily Out Of Stock

CD

✈
❔

A crazy collection of singles from the pre-hippie years of the beatnik – that cool cat who loved jazz, read poetry, and dug the scene with plenty of attitude! That attitude is the main focus of most of the cuts here – obscure tracks from the late 50s and early 60s that poke fun at the heady thoughts and easy intellectualism of the beat scene – presented in a range of different styles that really run the gamut – from jazz, to rock, to many other genres in between – including a fair bit of offbeat spoken word and instrumental records too! The vibe here follows nicely in the other Lux & Ivy collections on the Righteous label – full of weird and wild records we never would have discovered otherwise – with cuts that include "Dog" by Bob Dorough, "Laffin Beatnik" by Johnny Beeman, "Reaching Into In" by Ken Nordine, "No Pictures Please" by Rod McKuen, "Manhattan Fable" by Babs Gonzales, "Pimples & Braces" by Spike Jones & The City Slickers, "Teenage Beatnik" by Louis Nye, "A Beatnik Story" by The Expressos, "Meet The Bongo Man" by Johnny O, and "William Butler Yeats On The Third Avenue El" by Lawrence Ferlinghetti.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Warner/El (UK), Late 60s. New Copy 4CD
An amazing set – all four of the legendary Warner Brothers albums by harmony giants Harpers Bizarre – plus bonus tracks too! First up is Feelin Groovy – the fab first LP by Harpers Bizarre! The group were one of the strangest pop ensembles operating in the seminal LA scene of ... CD
Cherry Red (UK), Late 70s/Early 80s. New Copy 3CD
A funny thing happened to British music after the initial explosion of punk in the late 70s – it got surprisingly funky, in all sorts of weird ways that helped the new music cross over to the dancefloor – maybe inspired by American funk and soul, but coming off with a very different ... CD
Decca/RPM (UK), Mid 60s. New Copy 2CD
If you only know Lulu from her American recordings of the late 60s, you've got a lot to learn – as the British singer was a real powerhouse right from the start, blasting forth with a strongly soulful sound on these early recordings for Decca! Lulu's got a raspiness to her voice that really ... CD
Grapefruit (UK), Mid 60s. New Copy 2CD
A huge package of work from The Misunderstood – a 60s Cali group who made the scene briefly in London, but never got the bigger exposure they deserved – a damn shame, given that the work here is a masterpiece in blending blues influences with late garage and early psych, all with a hard ... CD
Columbia/Now Sounds (UK), 1967. New Copy
A revolution in sound from Paul Revere & The Raiders – a set that still has some of the party-rocking styles that made them a hit in the 60s, but which also has a hipper, trippier sound at times too! Terry Melcher's really coming into his own as a producer here – and, a bit like ... CD
Grapefruit (UK), Late 60s. New Copy 2 CDs
Completely wonderful work from John's Children – a group who are probably best-remembered as the early home for a young Marc Bolan, but who are already great enough on their own! John's Children have a madly playful approach – one that brings together the best elements of Brit beat and ... CD
Righteous (UK), Late 50s/Early 60s. New Copy 2CD
Those crazy Cramps are at it again – serving up an insane array of rare 45s with a really mad mix of styles – the kind of sounds that you might hear if you fell asleep and woke up in a world of b-movies and 60s exploitation flicks! The styles are hard to peg – you might almost ... CD

Neil Young & Crazy Horse

Way Down In The Rust Bucket (2CD set)
Reprise, 1990. New Copy 2CD
An unreleased live set from Neil Young – recorded in Santa Cruz in November of 1990, and featuring the group hot on the success of their Ragged Glory album! The set features the live debut of many of the record's songs, along with a number of surprises too – tracks that are unexpected ... CD
Reprise, Late 60s/Early 70s. New Copy 8CD
An insane amount of middle-period work from Fleetwood Mac – presented here with lots of bonus tracks, and a never-issued live set from 1974! There's lots of ways to approach these records – as the long path leading up to Rumors, or the post-Peter Green years when both Christine McVie ... CD
BBE (UK), Mid 60s. New Copy
CD...$8.99 19.99
One of the coolest collections we've heard from Keb Darge in years – not the funk and soul he first gave us when he started putting compilations together, nor the rockabilly and R&B from more recent years – and instead a fantastic array of rare late 60s garage rock and freaky fuzz ... CD

J Frank Wilson & The Cavaliers

Last Kiss – The Definitive Collection
Cicadelic, 1964. New Copy
CD...$4.99 14.99
The first-ever set to fully plumb the talents of J Frank Wilson & The Cavaliers – a 60s Texas group who are best-remembered for their classic "Last Kiss" hit, but who've got plenty more to offer here! There's an echoey brilliance to most of these numbers that really stands out ... CD
A&M/Esoteric (UK), 1970. New Copy
Procol Harum are definitely on home turf here – really honing, really focusing their energy – with a sound that seems to create this almost perfect interplay between the guitars of Robin Trower and vocals of Gary Brooker – two key elements of the group's sound that are even better ... CD
 



⇑ Top