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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most compelling albums ever recorded by guitarist Eugene Chadbourne – a set billed as "free improvised country and western bebop" – and which features Chadbourne serving up these wild variations on tunes by Carl Perkins, Roger Miller, David Allen Coe, Bobby Bare, ... LP, Vinyl record album
This was the first of Moondog's albums on Columbia – produced in a style that took him a lot more seriously than other albums on labels like Brunswick or Prestige, and handled in a way that slots it nicely between the label's experiments in modern music with artists like Terry Riley or Harry ... LP, Vinyl record album
A straight jazz album recorded for the KPM sound library – but a pretty groovy one at that! All the work here is the product of David Lee and his un-named Group Six Players – a cool combo who feature piano, trumpet, guitar, and a bit of flute – all over some really wonderful ... LP, Vinyl record album