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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A tough title to live up to – but Raphael makes it happen! The album's as wonderful as you might think – all the deeply soulful styles Saadiq worked out with Tony Toni Tone, taken back through a historical range of soul music – firmly planted in a legacy that begins with Stevie ... LP, Vinyl record album
A pretty sweet batch of soulful, coffee house folk pop from Blue Note upstart Amos Lee – who's clearly being positioned by the label as a potential male Norah Jones – but don't hold it too much against him! Lee's got a husky, strong voice, and he emotes in a natural style with roots in ... LP, Vinyl record album
The group's first full length album – and a classic batch of soulful funky tunes, handled with the charm and care that would make Jamiroquai one of the best new soul acts to come out of the UK during the 90s. Think Brand New Heavies meets Stevie Wonder meets Steely Dan, and you'll get only ... LP, Vinyl record album
One of the moogiest records of all time – a legendary LP of "electronic pop music of the future" – sourced and claimed as an influence by everyone from Stereolab to the Beastie Boys! The legendary team of Gershon Kingsley and Jean-Jaques Perry are working here in early tape ... LP, Vinyl record album
Another one of the really good Lou Rawls albums from the late 60's. David Axelrod produced, and the drums are nice and hard, especially on "I Can't Make It Alone", which he arranged. Other tracks include "Give Me Your Love" (not the Curtis Mayfield song), "When She ... LP, Vinyl record album
Fantastic Johnny "Guitar" Watson album, and one that features him playing no guitar at all! Instead, he plays piano, and with a nice bluesy style that sounds great. He sings mostly standards, but in a fantastic way that twists them inside out, and that gives them all these great soulful ... LP, Vinyl record album
A sweet little double LP – one that had some folks saying that Stevie should have stayed away from the "2LP syndrome", but for us a real treasure with lots of hidden gems. Besides the hits "Isn't She Lovely" and "Sir Duke", which were more than enough to carry ... LP, Vinyl record album
Peter Schickele – aka PDQ Bach – did the soundtrack for this creepy early 70s space thriller, and it's a lot different than most of the work he did under his more famous pseudonym. Most tracks are spare and spooky – with some off-kilter strings that give a bit of a spacey feel, ... LP, Vinyl record album
An unusual record for Randy Weston – a freewheeling live set recorded at Montreux in 1974, with Billy Harper joining Weston's group on tenor and flute, playing long spiritual solos that work wonderfully next to Weston's spiralling piano lines! Harper's searching quality really opens up the ... LP, Vinyl record album