Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Wobbly Sounds – A Collection Of British Flexi Discs

Book (Item 922060) Four Corners (UK), 2019 — Condition: New Copy
$22.99 ...

Book

List Price: 24.99

One of the coolest record books we've ever seen – a smaller take on the album art format, but one that focuses exclusively on flexi discs – those thin little records which were usually given away free, and which are usually pretty hard-pressed to survive the passage of time! Yet author Jonny Trunk is one of the few folks who really know how to take care of ephemera like this – as you might know from his longstanding work on the Trunk Records label – and his presentation of fab flexis from the UK scene is nothing short of mindblowing! These aren't the boring plain black flexis that were often included in magazines – but instead, full color discs that are every bit as great to look at as they are to hear – a wealth of rare records from the 50s onward, all presented here in vivid color, on pages that are about to open a whole new avenue in our record collecting lives. The range of records is great – some feature celebrities, some music stars, others have ads, or spoken words – and many are marketing vehicles, especially from the 60s and 70s, which was a time when the format really took off. The softcover book is full color throughout, features over 150 records, and also includes an essay on the format by Jonny!  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Duke University Press, 2020. New Copy
Groundbreaking work from David Grubbs – a name you might know from his decades as a musician, singer, and improviser in a variety of settings – or from his more recent emergence as an author – heard from here in a book that unifies both sides of his creative personality! In some ... Book
Bloomsbury, 2018. New Copy
One of the best writers on Memphis gives us a journey through his musical hometown – portrayed through chapters that focus on some of the city's most legendary figures – including James Carr, Sam Phillips, Jim Dickenson, Robert Johnson, Charlie Feathers, Jeff Buckley, Tav Falco, Bobby ... Book
Flatiron Books, 2015. New Copy
Way more than just a simple book of record cover images – and instead a love letter to the sound and style of the disco generation – put together from classic album artwork, and augmented by thoughtful musings by the author! The book features full color reproductions of over 250 album ... Book
William Morrow, 2014. New Copy
The story of Soul Train, brought to us by an author we trust more than most when it comes to music writing! Nelson George has already given us great books on Motown, hip hop, James Brown, and the decline of rhythm and blues – and he does an equally great job here with his examination of Soul ... Book
Duke University Press, 2017. New Copy
An incredible look at the format of vinyl – put together by a guy who's got one of the hippest record collections we've ever seen! John Corbett's been writing about music, art, and other formats for decades – but his real labor of love is vinyl records – a format he continued to ... Book
Yale University Press, 2016. New Copy
Ralph J Gleason might just be one of the coolest cats to ever write about music – a key part of the San Francisco scene during the postwar years – where his talents helped illuminate both the worlds of art and music during the beat generation – then really helped shine a spotlight ... Book
Duke, 2013. New Copy
The future of jazz is now, even if it's in the past – as the editors here bring together a selection of essays that document the forward-thinking movements in jazz from the mid 60s onwards – some of which are only getting full appreciation all these many years later! There's a nice ... Book
Omnibus (UK), 2016. New Copy
A beautifully-done book on the scene in one of Germany's hippest cities in the 70s – the Dusseldorf world of electronic music – home to Kraftwerk, Neu, DAF, and many others! The book was put together by Ridu Esch, bass player in Die Krupps – themselves a pretty cool group – ... Book
V&A (UK), 2012. New Copy
A fantastic look at the use of images in political activity on the British scene – a great legacy that runs from the early 20th century to the present – presented here a book of stunning full color images! Most of the work here focuses on the strong role that posters, billboards, and ... Book
Duke University Press, 2016. New Copy
A collection of essays on a great range of musical topics from Chuck Eddy – a writer whose work you might know from Creem or The Village Voice – and who covered a surprising amount of music in his decades in publication! The book brings together columns from a four decade stretch that ... Book

David Sedaris/Jeffrey Jenkins (editor)

David Sedaris Diaries – A Visual Compenium (hardcover)
Little Brown, 2017. New Copy
A very unusual sort of diary from writer David Sedaris – but maybe that's what we'd expect, given that Sedaris has always been something of an unusual figure himself! The book does feature diary entries, often from moments when Sedaris was visiting a certain place – but there's also a ... Book

David Sedaris/Jeffrey Jenkins (editor)

David Sedaris Diaries – A Visual Compenium (hardcover)
Little Brown, 2017. New Copy
A very unusual sort of diary from writer David Sedaris – but maybe that's what we'd expect, given that Sedaris has always been something of an unusual figure himself! The book does feature diary entries, often from moments when Sedaris was visiting a certain place – but there's also a ... Book
 



⇑ Top