This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Billie's last sessions – recorded with beautiful large backings by Ray Ellis, and a heartbreaking tone that may not show Billie as strong technically as on some of her earlier albums, but which is pretty darn compelling nonetheless. Titles include "All The Way", "Don't ... LP, Vinyl record album
Great early work by Mark Murphy – a set that's different than the cool breeziness of his 70s work, and done with an approach that's a lot hipper than most of his 60s contemporaries! Ernie Wilkins handles the arrangements, and there's a rollicking soul jazz groove here that's a bit unusual ... LP, Vinyl record album
A beautiful little session from vocalist Sue Raney – and a bit of a departure from her earlier work for Capitol! The style here is a bit more groovy than before – lightly dancing around with some larger backings from Billy Byers – jazz-styled, but handled with a few nice mod ... LP, Vinyl record album