Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Sacred Kind Of Love – The Columbia Recordings (Strawberry Moon/Then & Now/Time Out Of Mind/No Exit/All My Tomorrows/Soulful Strut/bonus tracks) (5CD set)

CD (Item 921255) Soulmusic.com (UK),  — Condition: New Copy
5 CDs
$29.99 ...

CD

All of Grover Washington Jr's albums for Columbia – brought together in a special box set! Strawberry Moon has a number of laidback groovers, with some solid Washington originals such as the title track and some sweet covers. BB King plays and sings on "Caught A Touch Of Your Love", with Jean Carne guesting on "The Look Of Love". Grover's sax is soulful and sweet throughout, and the titles include "Strawberry Moon", "Summer Nights", "Keep In Touch", and "Maddie's Blues". Then & Now is a nice one that has Grover working in a straighter jazz mode for the most part, taking a break from the soul and R&B groover –- the most timeless of the 3 albums compiled here! Players include Herbie Hancock, Ron Carter, Grady Tate and Darryl Washington. Titles include "Just Enough", "French Connections", "Stolen Moments", "Stella By Starlight" and more. Time Out Of Mind's title track is a cover of the Steely Dan classic, circa Gaucho – and this album finds Grover embracing the 80s a lot more than his previous album for Columbia. A mix of moods, with some electric funky flourishes and fusiony keys and synths. Titles include "Jamaica", "Sacred Kind Of Love", "Fly Away", the title track and more. Next Exit is great 90s work from Grover Washington Jr – a set from a time when the reedman was still one of the kings of mainstream soulful fusion! There's a bit of vocals from time to time, and some strong R&B production – but also plenty of room for Grover's well-crafted lines on soprano sax, which are still as soulful and slinky as ever! Titles include "Your Love", "Only For You", "Next Exit", "Greene Street", "Summer Chill", "Get On Up", and "Till You Return To Me". All My Tomorrows is an overlooked gem from reedman Grover – recorded in his later years, but a set that's actually got more of an acoustic style overall – one that goes back to the roots farther than any of Grover's fusion records! Washington's a great straight player in this setting – filled with soul on tenor and soprano sax – and working with top-shelf small group players like Eddie Henderson on trumpet, Hank Jones on piano, Bobby Watson on alto, and Robin Eubanks on trombone. Guitarist Romero Lumbambo arranged one great Brazilian-tinged number – and other arrangements are by Grover, Larry Willis, Slide Hampton, and Freddy Cole – who sings on two tracks too. Titles include "E Preciso Perdoar", "Happenstance", "All My Tomorrows", "Nature Boy", "Flamingo", and "Estate". Soulful Strut is bouncy soul from Grover Washington – a set that returns to his earlier roots in a space between soulful fusion and R&B! The slinky Washington soprano sax gets plenty of space in this set – blown with those seductive notes that always made Grover one of the most distinctive players on the instrument – and the backings often have this gentle R&B groove that's even stronger on the few cuts here with vocals. Titles include "Soulful Strut", "Bordertown", "Village Groove", "I Can Count The Times", "Headman's Hunt", and "Can You Stop The Rain". CD set also features bonus tracks – "Protect The Dream", "Heat Index", "Every Day A Little Death", and "The Night Fantastic".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Vertigo/Cherry Red (UK), Early 70s. New Copy 6CD
Seminal sounds from trumpeter Ian Carr and his Nucleus group of the early 70s – maybe one of the few jazz rock groups that was ever able to work with a fair bit of jazz in their sound! Unlike his contemporaries, who often started in rock first, then added some horns – Carr was already ... CD
Turtle (UK), 1963. New Copy 2CD
The group's name is a bit hokey, but they've got an excellent lineup that includes a few musicians who'd go on to greater fame in the British jazz scene of the late 60s – working here in a nicely balanced mode of modern styles first forged in the 50s! There's a mix of west coast cool and ... CD

Michael Gibbs/Gary Burton

Festival 69 (3CD set)
Turtle (UK), 1969. New Copy 3 CDs
A fantastic combination of modern jazz talents – the groundbreaking Gary Burton Quartet, and the young avant ensemble of trombonist Mike Gibbs! The set begins with a fantastic performance by Burton's group – heard here in a lineup that has the guitar of Dave Pritchard sharing equal ... CD
Dawn/Esoteric (UK), 1970. New Copy
CD...$6.99 13.99
A very cool quartet from the British jazz/rock years – but one who were a lot more jazz-based than some of their contemporaries! These guys are all instrumental, and although a number of their tunes are familiar rock standards from the late 60s, they don't play them like rock tunes at all ... CD

Vincent Herring/Bobby Watson/Gary Bartz

Bird At 100
Smoke Sessions, 2019. New Copy
A tribute to the music of Charlie Parker – but a set that sparkles more from the individual inspiration of the three alto giants in the lead – a great lineup that features Gary Bartz, Bobby Watson, and Vincent Herring! The tracks are long, with great lead passages that have all three ... CD

Lookout Farm (Dave Liebman & Richie Beirach)

Lookout Farm – At Onkel Po's Carnegie Hall 1975
Jazz Line (Germany), 1975. New Copy
Great live work from one of the coolest combos to ever feature the talents of saxophonist Dave Liebman and pianist Richie Beirach – a freewheeling quintet that brings in lots of organic, rhythmic elements to the more modern styles of the famous duo! Other players include Frank Tusa on bass, ... CD

Nicholas Payton

Relaxin With Nick
Smoke Sessions, 2019. New Copy 2CD
A really unique album from trumpeter Nicholas Payton – a musician who's given us plenty of major label records over the years, but who really sounds different here in a stripped-down set for the Smoke Sessions label! The album's just a trio date – with the sublime rhythm duo of Peter ... CD

Miles Davis

ESP
Columbia, 1965. New Copy
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, ... CD

Melvin Sparks

I'm Funky Now
Westbound (UK), 1976. New Copy
A never-issued album by funky guitar legend Melvin Sparks – recorded right after his final record for the Westbound label, and appearing here for the first time ever! Sparks first rose to fame via funky work with Lonnie Smith and Lou Donaldson in the late 60s, the cut some killer albums of ... CD
ESP, 2019. New Copy
It's been many years since we last heard from pianist Peter Lemer – the British musician who gave the world a wonderful album on ESP Records in the late 60s, and who finally returns to the fold to share his music again! For the album, which is a 50 year follow-up to the original Local Colour ... CD

Radical Empathy Trio (Nels Cline/Thollem McDonas/Michael Wimberly)

Reality & Other Imaginary Places
ESP, 2019. New Copy
Two long live improvisations by the Radical Empathy Trio – a group that features Nels Cline on guitars, Michael Wimberly on drums, and Thollen McDonas on a variety of keyboards! The sounds here are not unfamiliar if you've heard some of Cline's freer recordings – but even then, the ... CD
Pronit/GAD (Poland), 1971. New Copy
Killer Hammond from Polish player Piotr Figiel – a player with a really wonderful sort of groove! The album's got a vibe that's halfway between the Hammond antics of Alan Hawkshaw and the freer lines of American jazzmen like Jimmy Smith or Charles Earland – augmented by other cool ... CD
 



⇑ Top