Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Lucas High

LP (Item 921152) Man Called Horse, 2019 — Condition: New Copy
Gatefold
List Price: 23.98

Connie Price & The Keystones are tighter and funkier here than ever – partly because the album's a tribute to 70s Euro funk artist Doug Lucas – but also because the set's filled with guest appearances from a huge lineup of all-stars – the sort that definitely demand that the record's as sharp as it could be! Connie's very willing to step aside and let others share the spotlight – and makes plenty of room for a range of underground soul and hip hop guests – including Big Daddy Kane, Lady Of Rage, Imani, Kelly Finnigan, Kendra Morris, Guilty Simpson, Percee P, Talib Kweli, Wildchild, Brother J, MOP, Brand Nubian, Macy Gray, and others – on titles that include "Listen", "Gimme Some More Of That", "Four Pound", "Hot Like A Sauna", "Three Kings", "Mirror Mirror", "Play That Song", "Build High Lay Low", and "Woman In My Bloodstream".  © 1996-2019, Dusty Groove, Inc.
(Includes download!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Tuxedo (Mayer Hawthorne & Jake One)

Tuxedo III
Funk On Sight, 2019. New Copy
There's a sticker on the cover that proclaims "third time's the charm" – and while that might be the case, we've also got to admit that we've always been pretty well charmed by Tuxedo – a great outlet for the soulful talents of Mayer Hawthorne, as he teams up with Jake One! ... LP, Vinyl record album

Midnight Hour (Adrian Younge & Ali Shaheed Muhammad)

Midnight Hour Live At Linear Labs
Linear Labs, 2019. New Copy
Adrian Younge is best known as a studio genius – and he's certainly working in that setting here – but in a live environment, with a larger group – in a way that really shows off a whole new side of his talents! Younge's partner here is Ali Shaheed Muhammad – who plays bass ... LP, Vinyl record album
Linear Labs, 2019. New Copy
Adrian Younge's a talent who never sleeps – a producer/musician who's always on to new projects and new records – including some surprisingly great soundtrack efforts in recent years! Here, Younge takes a bit of time to collaborate with four different lyricists – Georgia Anne ... LP, Vinyl record album

JP Bimeni & The Black Belts

Free Me
Tucxone (Spain), 2018. New Copy
Really wonderful work from JP Bimeni – a hell of a soul singer, even without such a tight band backing him up – a new talent to our ears, but one who could have easily held his own on the Memphis or Muscle Shoals scenes of the 60s! JP's way more than just another singer with a funky ... LP, Vinyl record album

Will Sessions & Amp Fiddler featuring Dames Brown

One
Sessions Sounds, 2018. New Copy 2LP
The funky Will Sessions groove gets some great electric help from Amp Fiddler – and this time around, there's also chorus vocals from the soulful Dames Brown trio! Fiddler handles most of the lead lyrics, and also plays plenty of keyboards – as you'll know from his own work – ... LP, Vinyl record album

Orgone

Reasons
Killion Sound, 2019. New Copy
Orgone just seem to get better and better as the years go on – from a more standard funk combo to one who've really found their own groove – which they seem to push even further here with the addition of singer Adryon De Leon – a vocalist who really helps bring some focus to their ... LP, Vinyl record album
Ubiquity, 2011. New Copy
The much anticipated full length debut of Brooklyn Afro Funk and psych soul-influenced combo Ikebe Shakedown – following up their tight, promising EP on the Colemine label with an excellent self-titled set on Ubiquity! One of our favorite things about Ikebe Shakedown's style is the way they ... LP, Vinyl record album

Brownout Presents – Brown Sabbath

Brown Sabbath 2
Ubiquity, 2016. New Copy
A sweet return to Brown Sabbath territory – that wicked blend of deep funk rhythms and fuzzy guitar, served up by the Brownout collective! The groove has some of the Latin elements that you'd know from Adrian Quesada's other work – but the rising guitar lines dominate a lot more – ... LP, Vinyl record album

Breakestra

Hit The Floor
Ubiquity, 2005. New Copy 2LP
A strong step forward from Breakestra – really moving out of the deep funk underground here, but never losing the groove that got them there in the first place! The set's got a depth that goes beyond most of the group's other work – way more than just a funky cover band sort of feel, ... LP, Vinyl record album

Karl Hector & The Malcouns

Non Ex Orbis
Now Again, 2019. New Copy
Some of the fullest, freakiest sounds we've ever heard from Karl Hector & The Malcouns – and a set that almost has the contemporary combo resonating with some of the older psych and fuzz that often gets reissued on the Now Again label! JJ Whitefield – of Whitefield Brothers/Poets ... LP, Vinyl record album
Brownswood (UK), 2019. New Copy 2LP Gatefold
A wonderful overview of the creative scene in Melbourne – a collection that's almost the down-under equivalent of We Out Here – a previous Brownswood sampler of contemporary genius on the London scene! As with that collection, this one brings together the best up-and-coming artists who ... LP, Vinyl record album

Monophonics

In Your Brain
Ubiquity, 2012. New Copy 2LP (reissue)
The Monophonics definitely have a way of getting inside your brain – using a cosmic slop of fuzzy guitars and funky basslines to eat away your grey matter more than a maggot inside your cranium! Yet even past that heavy Funkadelic reference, they've also got a richer vibe too – ... LP, Vinyl record album
 



⇑ Top