This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Wild funky grooves – and even crazier than the first volume! The set follows the format of the first, in that tracks are selected by the enigmatic Barry 7 – but the source material is completely different, making for a very unique sound. This time around, Barry's dipped into the rich ... CD
A gem of a record from the great Piero Umiliani – and maybe one of his funkiest, grooviest projects ever! The set is more sound library funk than soundtrack – and features some very strong keyboard work in the lead on most track – including Fender Rhodes, moog, Hammond, and even ... CD
Heavy electro work from Suzanne Ciani – an artist who peaked a bit later than some of her sound library contemporaries – which means she was able to contribute music experimental films, record productions, and video games – and not just the usual mainstream outlets! Ciani's ... CD
80s keyboards sparkle and glisten wonderfully here – a mix of Roland, Yamaha, and Korg keyboards – all played by Mikolaj Hertel in a few very cool suites of instrumental tunes! The music is maybe an extension of 70s electronic sound library modes, but also colored with some of the ... CD
A very different album for Lee Morgan – especially in comparison with his other early sessions! The record is a gentle batch of ballads and standards, played by Morgan with a quartet that includes Sonny Clark on piano, Doug Watkins on bass, and Art Taylor on drums – all beautifully ... CD
The Roots return with their first album on Def Jam – a rich batch of soulful, heavier moods, cultural reflection, and some incredible modern Philly funk playing behind the thoughtful rhymes – probably the deepest album to appear on Def Jam in the past decade or so! Game Theory shares ... CD
It's the late 80s and after the decision to keep the Black album in the can, Prince gives us Lovesexy. Not his finest moment, but far from his weakest, with more than a couple nice numbers like "Alphabet Street", "Lovesexy", "When 2 R In Love" and "Anna ... CD