Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Green Balloon

CD (Item 918998) Verve, 2018 — Condition: New Copy
Out Of Stock

CD

✈

Tank and the Bangas roll in with a mighty heavy groove – their own special spin on contemporary soul, which seems equally informed by elements of hip hop and underground funk! The group hail from New Orleans, but have a sound that's way more 21st Century than most of that city's musical legacy – maybe more in line with some of the hipper sounds coming from west LA of late. The group features great leadership from Tarriona "Tank" Ball on vocals – who also emerged out of the city's slam poetry scene, with a quality you can definitely hear on some of these tunes – although she's a great straight singer on others! Musical styles are nicely varied, with a vibrant sensibility that shows us that these guys are just getting started – and the set features guest work from Robert Glasper on three tracks, and Alex Isley on one more. Titles include "Nice Things", "Smoke Netflix Chill", "Dope Girl Magic", "Spaceships", "Ants", "Hot Air Balloons", "Lazy Daze", "Happy Town", and "I Don't Get High".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Tom Misch & Yusef Dayes

What Kinda Music
Blue Note, 2020. New Copy
Tom Misch and Yusef Dayes definitely make some kinda music here – a sweet blend of jazzy elements, contemporary soul, and a spacious, spacey vibe that resonates strongly with some of our favorite recent sounds from the west coast! The album's on Blue Note, but it's a bit different than some ... CD

Kandace Springs

Woman Who Raised Me
Blue Note, 2020. New Copy
Maybe the straightest jazz set we've heard to date from Kandace Springs – a record that's got a great old school vibe overall, and the sorts of moody, dark-tinged qualities that takes us back to vintage material by Abbey Lincoln or Nina Simone – something we might not have said about ... CD
Rainbow Blonde, 2020. New Copy
Really mindblowing work from Jose James – an artist we loved right from his very first record, but one who has us completely over the top with this record – a set that may well push James from the soul underground into firmly classic territory – the sort of space that will have ... CD

Peven Everett

Beyond The Universe
Studio Confession, 2009. New Copy
One of the heaviest house albums we've heard from Peven Everett in years – a set that's filled with upbeat, joyous grooves – all done with the same deep soul you'd expect from other recent records! The whole thing's a great step back towards some of the classic grooves from Everett's ... CD

Peven Everett

Notions
Studio Confession, 2007. New Copy
Incredible mellow soul from the mighty Peven Everett – a record that shows that he's every bit as great with a gentle tune as he is with a clubby one! The music here has a beautifully glowing sort of quality – piano, keyboards, acoustic guitar, and softer beats – all wrapped up ... CD

Peven Everett

Studio Confessions
ABB/Studio Confession, 2002. New Copy
The first full and official album from Peven Everett – a professional release that pulls together the strands from his underground, self-released albums of the past few years! After knocking around as a young up and comer on the east coast scene, Peven went underground in Chicago a while ... CD
Studio Confession, 2006. New Copy
One of the boldest, fullest, and most soulful albums we've ever heard from Peven Everett – a set that's overflowing with enough classic influences to rival the genius of Stevie Wonder in the 70s! The groove here is really tremendous – not just house rhythms or beats and keys, but a ... CD
Expansion (UK), 2020. New Copy 3CD
Soulful luxury at a mighty nice price – 3CDs and 35 tracks of music from the contemporary underground, plus a few cuts from back in the day – all put together with the top-shelf style of the Expansion Records label! The package is one of the best so far in this annual series – ... CD

Brit Funk Association

Lifted
Expansion (UK), 2020. New Copy
Excellent work from a very well-named group – as the contemporary combo forwards the legacy of British funk in the late 70s and early 80s – as the supergroup features original members of Central Line, Beggar & Co, Light Of The World, and Hi-Tension – all seminal groups from ... CD

Sly5thAve

What It Is
Tru Thoughts (UK), 2020. New Copy
Sly5thAve is deeper and more soulful than ever before – really stepping past his initial role as a creative beatmaker, and emerging here more as a fully-formed producer with a strong ear for his overall sound! The tunes here are a mix of instrumental and vocal numbers – woven together ... CD
BBE (UK), 2014. New Copy Gatefold
CD...$8.99 14.99
A great selection of future soul tracks, all handpicked by radio DJ Radhu – an American talent with ears that may well rival those of Gilles Peterson for finding the sounds we'll all enjoy tomorrow! The work here is from a wide range of the soulful underground – not just Neo Soul, but ... CD
Now Again, Mid 70s. New Copy
Rare singles and unreleased tracks from one of the funkiest artists on the 70s scene in Ethiopia – the amazing Ayalew Mesfin – a fantastic talent with a groove that's dying to be heard! Mesfin's music has maybe even more of James Brown groove than some of his funky contemporaries ... CD
 



⇑ Top