Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Acid LP

LP (Item 918773) Hot Mix 5/Still Music, 1988 — Condition: New Copy
2LP (reissue)

A killer classic from a time when the Chicago house scene was really taking off – that second generation of underground productions that was tagged with the "acid" term, because of the way they were using older riffs and keyboards to change things up! The Brits got that all wrong, and thought the word was a drug reference – and ended up taking way too much E in the process – but in Chicago, the term meant a new sort of sophistication for house music, and a warmer sound than the first few years too – deeper soul, more interesting keyboard parts, and a door opening to vocals and other elements that would help build a bridge between underground club and a rising tide in the mainstream. There's few records that document that shift as well as this one – a gem on the Hot Mix 5 label, put together by Mickey Oliver, who also had a hand in some of the music too. Titles include "Dream Girl" by Pierre's Fantasy Club, "Can You Feel The Bass" by Phortune, "151" by Armando, "World Turns Around" by Cool McCool, "Jiggerwatts" by Phortune, "The Juice" and "Ecstasy" by Fingers and "Mix Pump Up The Acid" by Mickey Oliver & Ralphie Rosario.  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Polydor/Get On Down, Early 70s. New Copy 2LP Gatefold (reissue)
Part 1 of the legendary compilation series of James Brown Productions for his own People Records imprint – with monster tracks by The JBs, Lyn Collins, and Maceo! Now a long-established treasure trove of stone classic funky soul, it's easy to forget that the deeper legacy of the People ... LP, Vinyl record album
Polydor/Get On Down, Early 70s/1988. New Copy 2LP Gatefold (reissue)
One of the best-ever compilations of James Brown productions – and the second slammin' hard compilation of great tracks from the People label. This one's got some more obscure stuff (including 2 previously unreleased tracks), and material by Bobby Byrd, Vicki Anderson, Maceo, Marva Whitney, ... LP, Vinyl record album
Aloha Got Soul, 1960s/1970s/1980s. New Copy
A really unusual little compilation – hardly anything that you might expect when you think of Hawaiian music – but that's kind of the lesson we've also been learning from the Aloha Got Soul label! Instead, the package brings together obscure recordings from the island state – ... LP, Vinyl record album
Soul Jazz (UK), 1970s/Early 80s. New Copy 3LP
A really fantastic compilation – and one that will take your collection of German electronic music far past the familiar territory of Kraftwerk and Tangerine Dream! This series has always been great, but it also seems like the longer it goes, the deeper it digs – which is definitely ... LP, Vinyl record album
Soul Jazz (UK), Late 70s/Early 80s. New Copy 3LP
Great cuts from the old school – pulled together from the earliest days of hip hop – at a time when the boundary lines in the music weren't so fully formed! These days, the difference between hip hop and club cuts is huge – but back in the South Bronx scene at the start, there ... LP, Vinyl record album

Harlem Underground

Harlem Underground
Winley/Demon (UK), 1976. New Copy (reissue)
A legendary album – and for good reason too – a set that's as mysterious as it is funky, and a record that's stayed at the top of our crates for years! The album features a really unusual collective of musicians, pulled together under the guidance of producer Paul Winley – a ... LP, Vinyl record album

Experience Unlimited

Free Yourself
Black Fire/Now Again, 1977. New Copy (reissue)
A wonderfully spiritual album – and one that's maybe a bit of a surprise, given the later fame of the group! The group here is billed by their full name – Experience Unlimited – but where later known to most of the world as EU, the DC funk outfit that went onto become pretty big ... LP, Vinyl record album

Danny Woods

Aries
Invictus/Demon (UK), 1972. New Copy (reissue)
A rare solo effort from Danny Woods – a record cut away from Chairmen Of The Board during a stretch when the group had temporarily disbanded – and an excellent showcase for Danny's strength on his own! Woods is really wonderful here – with a proud, righteous quality that really ... LP, Vinyl record album

Equatics

Doin It!!!!
Now Again, 1972. New Copy (reissue)
Rare 70s funky soul from The Equatics – just the kind of record that keeps us digging and still excited after all these years – resurrected by the like minded diggers at Now Again! You know the kind of album we're talking about, the ones you come across with enigmatic cover art, no ... LP, Vinyl record album
Now Again, 1970. New Copy
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which ... LP, Vinyl record album
Now Again, Late 60s/1970s. New Copy 2LP Gatefold
An artist you might not know at all – but one you'll be digging plenty after hearing this wonderful set! Richard Marks is a guitarist and singer with a very funky, very gritty sound – really right up there with the best of the funky 45 underground of the time – which makes this ... LP, Vinyl record album
Atlantic/Run Out Groove, Late 60s/Early 70s. New Copy
A killer collection of Barbara Lynn's records for Atlantic – a set that includes many of her 45-only tracks, which weren't on her full album for the label – plus one song that was only first issued in recent years! Lynn's a real standout in 60s soul music – a singer with a style ... LP, Vinyl record album
 



⇑ Top