Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Elegia

CD (Item 918455) Baobab/Soul Jazz (UK), 1980 — Condition: New Copy
Temporarily Out Of Stock

CD

❔
Also available
Lloyd McNeill — Elegia (with bonus download) ... LP 26.99

A superb record from the great Lloyd McNeil – one of the more obscure players of the spiritual jazz generation of the 70s, but an artist who always gave us his best whenever he walked into the studio! Here, the mood is a mix of modal and Latin elements, with a definite current of influence from Brazil – thanks in part to the presence of Dom Salvador on piano and Nana Vasconcelos on percussion – in a lineup that also features Cecil McBee on bass, and Claudio Celso on guitar. The real star, though, is clearly Lloyd – whose flute solos are some of his most complex, expressive on record – very soulful, but at a level that hardly recalls any other player we can think of – very fitting for the personal themes of the tunes. Titles include "Samba For The Animals", "Asha II", "Memory Cycle", and "Elegiac Suite For Elizabeth".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Lloyd McNeil

Treasures
Baobab/Soul Jazz (UK), 1975. New Copy
A gem of a record from flute player Lloyd McNeil – an artist who flourished strongly during the spiritual jazz scene of the 70s, but who also seemed to always have his own sort of groove as well! Lloyd blows with the complexity and far-reaching sounds of contemporaries in the loft jazz scene ... CD

Eddie Russ

Fresh Out!
Jazz Masters/Soul Jazz (UK), 1974. New Copy
A landmark bit of indie funk from the 70s – one of the few records cut by Detroit keyboardist Eddie Russ, and easily the best! The album features Russ going to town on electric piano – working with a hip combo called The Mixed Bag, which features some wicked work on flute and soprano ... CD

Steve Reid

Nova
Mustevic Sound/Soul Jazz (UK), 1976. New Copy
An underground soul jazz classic – massive grooves from drummer Steve Reid, and exactly the kind of set that's gotten him so much attention in recent years! There's a mixture of freedom and tightness here that's really wonderful – some of the looser elements of the loft jazz generation ... CD

Eric Alexander

Leap Of Faith
Giant Step Arts, 2019. New Copy
The great Eric Alexander in a trio mode – soaring out with a lot more space and soul than some of his albums with a pianist – and that's saying a lot, given the wonderfully soulful sound of that work too! The style is a mode that Alexander has explored a bit over the years, but which ... CD

Ramsey Lewis & Urban Knights

Ramsey Lewis & Urban Knights – VII
Ropeadope, 2019. New Copy
CD...$9.99 12.98
A smoking little set from Ramsey Lewis – one that really recalls the best electric years of his 70s recordings – and which also has a much sharper sound than some of the other albums recorded with the Urban Knights! There's plenty of great piano on the record from Ramsey, mixed with ... CD
Ropeadope, 2019. New Copy
CD...$8.99 14.99
Michael Whalen plays a range of keyboards here with the Fire Brigade – a crack fusion ensemble with a hard-jamming style that takes us back to some of the bigger electric jazz albums of the 70s! Whalen's in the lead on Fender Rhodes, Wurlitzer, Clavinet, and other keys – and the group's ... CD

David Sanchez

Carib
Melaza/Ropeadope, 2019. New Copy
David Sanchez kicks off the album's liner notes with a great discussion on the African diaspora and its influence on music – one that's always been strongly felt in David's recordings, but which seems to come through even more strongly here! The record's definitely jazz, but borrows lots of ... CD
Ropeadope, 2019. New Copy
CD...$9.99 14.98
One of the strongest jazz albums we've heard from drummer Mike Clark in years – a set that burns right from the start, and really lives up to the heavyweight lineup that includes Donald Harrison on alto, Rob Dixon on tenor, Randy Brecker on trumpet, Antonio Farao on piano, and Christian ... CD
Ezz-Thetics/Hat Hut (Switzerland), 2019. New Copy
A record with a title that's as beautiful as its sound – one that draws key focus on that magnificent light that's been shining forth in the music of Matthew Shipp in recent years – a fantastic stretch that has the pianist really coming back into action, and maybe sounding even more ... CD

Derek Bailey/Joelle Leandre/George Lewis/Evan Parker

28 Rue Dunois Juillet 1982
Fou (France), 1982. New Copy
A hell of a group – one that features four players who are every bit as much sonic experimentalists as they are musicians – coming together here in a perfect setting to allow free interplay between their tones! Each member seems to contribute equally – and there's a warmly ... CD
Ezz-Thetics/Hat Hut (Switzerland), 1964. New Copy
A pair of classic Albert Ayler albums from 1964 – back to back on a single CD! First up is Spirits – only the second album ever recorded by Albert Ayler, but a tremendous statement of music that clearly marks the tenorist as one of the most important jazz talents of the 60s! The set ... CD
Constellation (Canada), 2019. New Copy
The fantastic fourth installment in the Coin Coin project by Matana Roberts – issued quite a few years after the third, but well worth the wait! Matana recently described herself as an "arts adventurer" – and that's a pretty great term for her role on the record, which is far ... CD
 



⇑ Top