This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(In an Atlantic Disco sleeve. Labels have some residue.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A catchy bass heavy number with serious dancefloor appeal that doesn't sacrifice any of it's slick modern soul production, in our opinion, the best cut off Change's sophomore LP, Miracles, when the group was still working in a post disco, 80s groove mode that didn't betray the fact that they were ... 12-inch, Vinyl record
Recorded after he left Roy Ayers' group, and with a different feel than the stuff he did in the early 70's, this track is Edwin Birdsong's big funk hit, and a tough one to find, too! The cut's got a snapping groove that's in a tight rollerskate funk mode – very nice all the way through, and ... 12-inch, Vinyl record