Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

MLK Convergence

CD (Item 917995) Origin, 2019 — Condition: New Copy
$13.99 ...

CD

List Price: 15.99

Bassist Marlene Rosenberg leads a hell of a trio here – one that features Kenny Barron on piano and Lewis Nash on drums – both tremendous players who sound even better in the round, rich company of Rosenberg's bass! Most titles are trio numbers, but driven as much by the bass as by the always-wonderful work of Barron – and the tunes include many originals by Marlene – instrumentals, but with a current of the more righteous energy promised by the title. One exception is the great "Not The Song I Wanna Sing" – a number that has Rosenberg on vocals while Christian McBride handles the bass – alongside other vocal contributions from Thomas Burrell and Robert Irving III – which help make the song the most political number on the set. Titles include "The Line Between", "American Violet", "Togetherness", "And Still we Rise", "Visions", "The Barron", "Rain", "Love's In Need Of Love Today", and "Not The Song I Wanna Sing".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Famous Door/Progressive, 1977. New Copy
A really great later album from vibist Red Norvo – one that not only features some great small combo work of his own, but which also boasts some strong tenor from a young Scott Hamilton! But Norvo and Hamilton are only part of the group here – which also includes Dave McKenna on piano, ... CD
Origin, 2019. New Copy
A very fresh take on the songs of Duke Ellington – presented here by bassist Rodney Whitaker, with a tight combo sound that resonates strongly with his other great records! The tunes are definitely Duke's, but the presentation is pure Whitaker – hip, soulful, and reworked with nicely ... CD

Noah Preminger

After Life
Criss Cross (Netherlands), 2019. New Copy
An album of subtle majesty from tenorist Noah Preminger – done with a sound that builds and flows wonderfully – partly from the guitar work of Max Light, who may well be the lynchpin of the quintet! The switch of guitar for piano gives the whole thing a different vibe – as Light's ... CD

Iro Haarla, Ulf Krokfors, & Barry Altschul

Around Again – The Music Of Carla Bley
Tum (Finland), 2019. New Copy
CD...$9.99 19.99
A trio take on the music of Carla Bley – and a record that takes us back to a time when Bley's compositions were showing up in the repertoire of the hippest trios of the 60s – long before she ever got the chance to make bigger records on her own! That sense of openness that Bley ... CD
Origin, 2020. New Copy
Heartfelt yet exciting work from Chicago trumpeter Markus Rutz – heavy on originals, but with distinctive takes on classics by Wayne Shorter, Charlie Parker and another couple of covers – a covering a lot of stylistic terrain while keeping it cohesive and close to home. Markus has a ... CD

Roland Haynes

2nd Wave
Black Jazz/Real Gone, 1975. New Copy
One of the heaviest keyboard albums you'll ever hope to find – a completely sublime session that not only features Fender Rhodes by pianist Roland Haynes, but also features additional keyboards from Kirk Lightsey – a double blend that really makes the record sparkle! The twin-keyboard ... CD

Aquiles Navarro & Tcheser Holmes

Heritage of the Invisible II
International Anthem, 2020. New Copy
One of the boldest albums so far on the International Anthem label – and that's really saying a lot, given the boldness of most of their records! The set features wonderfully dynamic energy from Aquiles Navarro and Tcheser Holmes – the former a trumpeter, the latter a drummer – ... CD
Spiritmuse, 2020. New Copy
A bold vision for a better version of our nation – served up here by percussionist Kahil El Zabar, but in a mode that also has him working as the conductor of a larger ensemble too! The record has all the sense of pride, power, and optimism of some of the best sessions of this type from the ... CD

Prince Lasha

Search For Tomorrow
Enja/Ultra Vybe (Japan), 1974. New Copy
A rare set from reed genius Prince Lasha – one that dovetails nicely with the albums on the Birdseye label, and which features Lasha in a very similar setting! (In truth, the records may have some overlap – but we're not entirely sure.) The tracks are very long, and the record really ... CD

Tommy Flanagan

Ballads & Blues
Enja/Ultra Vybe (Japan), 1978. New Copy
A key 70s session from Tommy Flanagan – a record that showed that he was still one of the most fluid and soulful players of his generation! The album has Flanagan working only with the bass of George Mraz – in a drum-less format with even less structure than usual, a perfect setting ... CD

Dewey Redman

Choices
Enja/Ultra Vybe (Japan), 1992. New Copy
Late work from avant tenor legend Dewey Redman – and surprisingly great, with all the best energy of his sides from older years! The album features Dewey playing in a trio with Cameron Brown on bass and Leon Parker on drums – plus guest appearances on about half the tracks by a young ... CD

Joe Henderson

Barcelona
Enja/Ultra Vybe (Japan), 1977/1978. New Copy
Pretty darn beautiful work from Joe Henderson – much freer than just about any other record of his we can think of! The album is a trio session – with Joe blowing freely on tenor in the front, backing from bass and drums – and the centerpiece of the set is the track "Barcelon ... CD
 



⇑ Top