Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Ambolley

CD (Item 917988) Cougar/Mr Bongo (UK), 1982 — Condition: New Copy
$10.99 ...

CD

List Price: 11.98
Also available
Gyedu-Blay Ambolley — Ambolley ... LP 20.99

A really well-crafted set of funk from the legendary Gyedu-Blay Ambolley – maybe best known for his material in the mid 70s, but sounding equally wonderful here on an album from the start of the 80s! The sound is sharper and more sophisticated than before – recorded in London, with a great ear for the many possibilities of basslines, keyboard parts, and rhythms – used in modes that embrace a wider range of soul styles, but which also don't sound anything at all like mainstream R&B! A few tracks feature more familiar highlife rhythms, but most are in this new breed laid down by Ambolley – on titles that include "Walking Down The Street", "Frafranta", "Adwoa", "Cut Your Coat", "Cause I Love You", and a great funky remake of "Simigwa" – maybe worth the price of the album alone, thanks to percussion that almost rivals the Incredible Bongo Band.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Ebo Taylor, Pat Thomas, & Uhuru Yenzu

Hitsville Re-Visited
Mr Bongo (UK), 1982. New Copy
Not the Hitsville of Motown fame – but instead a fantastic album of upbeat, hard-grooving highlife – served up by the collaborative efforts of Ebo Taylor, Pat Thomas, and Uhuru Yenzu! Taylor is kind of the guiding force here – as he handles arrangements, and uses his guitar to ... CD
Essiebons/Mr Bongo (UK), 1977. New Copy
The funky Rob way is a massive one at that – a new path into Afro Funk modes for the 70s, with a groove that's made this set a collectors classic for decades! The group is tighter than most, yet more skittish too – percussion rattling alongside basslines that have these echoey ... CD

Akofa Akoussah

Akofa Akoussah
Sonafric/Mr Bongo (UK), 1976. New Copy
A beautiful record from Akofa Akoussah – a singer from Togo who's equally gifted in funky and sweeter soul styles! Half the record is full-on funk, and we'd swear that Lafayette Afro Rock Band must have had a hand in some of the instrumentation (possible, as it was recorded in Paris) – ... CD

Meridian Brothers

Donde Estas Maria
Soundway (UK), 2017. New Copy
The Meridian Brothers have been making music for quite a few years now – and with each new release, they seem to open up another fresh corner of southern hemisphere sounds, and continue to find a way to weave them together into something quite fresh and unique! Few other folks could navigate ... CD

Ondatropica

Ondatropica
Soundway (UK), 2012. New Copy
Colombian music, both classic and contemporary – as a group of older all-star players comes into contact with Will "Quantic" Holland! The set's easily one of the most smoking Latin-styled projects we've heard from Quantic so far – recorded in Colombia with work from Fruko, ... CD

Shina Williams & His African Percussionists

African Dances
Phonodisk/Mr Bongo (UK), 1979. New Copy
CD...$6.99 11.98
A monster of an Afro Funk album – one with a hard-jamming quality that reminds us of some of the best Fela classics of the 70s! All of side one features the massive "Cunny Jam Wayo" – a cut that has layers of percussion that build up beautifully, with lots of space for strong ... CD

Tunde Mabadu

Viva Disco
Afrodisia/Mr Bongo (UK), 1980. New Copy
Long live disco, but not the sort that was big on the American scene of the 70s – as Tunde Mabadu serves up a nicely lean version of the music here – filled with Nigerian funk elements, and plenty of his own great work on tenor and alto sax! The tunes are jumpy, jaunty, and plenty darn ... CD
President/RPM (UK), Early 70s. New Copy 2CD
CD...$9.99 16.99
Some of the heaviest funk recorded on the UK scene in the early 70s – courtesy of a Kenyan group who were making their home in London at the time – and cooking up music that was a fantastic blend of soulful modes from both their homeland, and the world of American funk and soul! These ... CD
Rev-Ola (UK), 1973/1975. New Copy
CD...$4.99 14.99
One of the hippest groups of the Nigerian scene of the 70s – presented here in two classic albums, back to back on a single CD! Chapter One is a landmark set of African grooves – very unusual in both conception and execution – with a feel that's unlike anything we can think of! ... CD

Harry Mosco

Country Boy
PMG (Austria), 1978. New Copy
Sweet grooves from Harry Mosco – once the leader of The Funkees, but stepping out here with some wicked work from the London scene at the end of the 70s! The album's got a snapping electric vibe – sometimes clubby, but with more of a funk feel overall – thanks to some heavy ... CD

Segun Bucknor

Segun Bucknor
PMG (Austria), 1975. New Copy
Seminal sounds from Segun Bucknor – one of the most soulful singers on the Nigerian scene of the 70s, and an artist who can mix funky grooves with some of the deeper currents and moodier themes that you'll hear in Zamrock recordings of the time! The album begins with some excellent upbeat ... CD
PMG (Austria), 1980. New Copy
CD...$6.99 16.99
A special collaboration between these two legends of Ghanian music – one that has singer Pat Thomas working with the grooves of Ebo Taylor – in an effort to reclaim the sound of calypso as an African sound! The album's got an unusual mix of Caribbean modes and Ghanian soul – ... CD
 



⇑ Top