This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Massive early work by James Brown – one of his first few albums for King, and a soulful delight that hits plenty hard all the way through! The sound here is razor-sharp – still very much in the R&B mode that Brown began in the 50s, but already showing this sense of edge and ... CD
One of the stranger James Brown albums from the 60s! The record is one of the only vocal albums he cut for the Smash label – and it was issued during a time when James was strangely contracted to two labels – King and Smash. His dual contract situation was that he couldn't record any ... CD
James Brown really opens up on this early 70s classic – really showing the world the amazing groove he was crafting with his band – who were let loose to jam in the studio, spinning out some really long grooves – which were then cut down to make this sweet little record! The ... CD
Some of the best R&B you could ever buy! Wynonie Harris was one of the all-time greats – a raw, raunchy, hard-rockin singer who was getting into more trouble with the law, ladies, and booze than most 70s rock groups combined! Wynonie's songs for King are the stuff that kick-started rock ... CD
Smooth mellow soul by Michael Henderson – taking up where he left off with his work with Norman Connors, and proving that he was an even better vocalist than guitarist. The overall sound of this one's perhaps a bit slicker than his first 2 albums on Buddah – but there's still some ... CD
Nothing too raw here, as the set's from late in the great 80s run of the SOS Band – and shows the group very much at the top of their tight powers! There's a bit more beats than the basslines of the early days, but the SOS crew are still plenty darn funky – and pepper the tunes with ... CD
Killer late 70s soul by this Brit-based group that featured the keyboard talents of Rod Temperton! Despite their non-American origin, the band scored big on the US charts with familiar soul tunes like "Boogie Nights", "Always & Forever", "Ain't No Half Steppin", ... CD
An incredible album, and very unique! Sarah Webster Fabio was a hip 70s poet with a very righteous sound – and she's working here with funky backings by a tight group that includes family members, in a style that's similar to early 70s work by artists like Wanda Robinson and Camille ... CD