Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Timo Lassy & Teppo Makynen

CD (Item 917466) WeJazz (Finland), 2019 — Condition: New Copy
$12.99 ...

CD

Also available
Timo Lassy & Teppo Makynen — Timo Lassy & Teppo Makynen (includes download) ... LP 22.99

Music that you'd hardly expect, if you only know the more groove-oriented side of saxophonist Timo Lassy – the sounds he's given us from the Ricky-Tick years onwards – because this album is straight jazz overall, and a relatively improvised one at that! The album shows off a whole different side of Timo's talents – one we didn't know he had at all, and which really shine out here a lot more strongly than on some of his records with more programmed rhythms – thanks in no small part to the really creative efforts of drummer Teppo Makynen, who duets here with Lassy on tracks that really run the gamut – not free jazz overall, but certainly with a similar spirit – all inside, often rhythmic, but with much looser, more open, and wonderfully expressive solos than we've ever heard from Timo. Teppo's great, too – very creative on the drum kit as a whole, with lots of cool percussive effects – on titles that include "Fallow", "Goldenrod", "Aero", "Kobi", "Heliotrope", "Dark Cyan", "Firebrick", "Resolution Blue", "Catawba", and "Liberty (part 1)".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Seed Ensemble

Driftglass
Jazz Refreshed (UK), 2019. New Copy
A fantastic album by this up-and-coming spiritual group from London – an ensemble led by alto saxophonist Cassie Kinoshi, but definitely a unified group effort all the way through! Konishi composed all the music – and a few songs feature words by Langston Hughes – and the rises ... CD
Jazz Refreshed (UK), 2019. New Copy
Soaring piano, romping drums, and a hell of a lot of spiritual energy from the contemporary London scene – a really fantastic outing as a leader from keyboardist Sarah Tandy, a talent we'll certainly be hearing more from in years to come! The music is fresh and visionary – filled with ... CD

Rosie Turton

Rosie's 5ive
Jazz Refreshed (UK), 2019. New Copy
Rosie Turton's not only a fresh voice on trombone, she also finds a way to make the instrument come together in a way that's quite unique – really sparkling with some warmly spiritual energy here on her entry for the Jazz Refreshed series! Turton's phrasing alone is worth the price of ... CD

Triforce

Triforce's 5ive
Jazz Refreshed (UK), 2018. New Copy
A hard-hitting electric combo from the currently explosive London scene – a group who initially began as a trio, hence their name (also a reference to Legend Of Zelda!) – but who wisely added in the guitar of Mansur Brown to further sharpen the corners of their sound! The lineup ... CD

Ilmiliekki Quartet

Land Of Real Men
WeJazz (Finland), 2019. New Copy
The long-overdue return of a combo that had a huge impact on the sound of jazz on the Scandinavian scene over the past decade or two – given that its members have been involved in such important projects as Five Corners Quintet, Tuomo, Oddarang, and the Timo Lassy combo! Yet at the core, ... CD
Freestyle (UK), 2018. New Copy
Brian Auger doesn't come full circle with his early work – and instead, he moves far forward – really soaring here in a tight trio setting, with even more jazz in the mix than on his classic recordings! The set's a great reminder that – despite all the keyboards, funk, and soul ... CD

Marker (Andrew Clinkman/Steve Marquette/Macie Stewart/Phil Sudderberg/Ken Vandermark)

New Industries
Audiographic, 2019. New Copy 2CD
One of the most striking projects we've heard from Ken Vandermark in years – work with a younger group with a sound that seems equally balanced between free jazz, post-punk, and no wave energy – heard here on a set of live material, and a full session recorded in the studio! The ... CD

Jimmy Cobb

This I Dig Of You
Smoke Sessions, 2019. New Copy
Drummer Jimmy Cobb has been in many great groups over the decade – and here, he's leading one of his own – a rock-solid quartet that features piano from Harold Mabern, bass from John Webber, and some especially nice guitar from Peter Bernstein! Bernstein's voice is right out front on ... CD
Audiographic, Late 2010s. New Copy 5CD
A wonderful testament to the mindblowing collaborative powers of reedman Ken Vandermark – one of the most consistently creative saxophonists of the past few decades, and a spirit with a heart that's as big as his music! Ken's a wonder by himself, but one of the things that's always really ... CD

Paal Nilssen-Love/Carl Magnus Neumann/Bjornar Andresen/Eivind Opsvik/Ketil Gutvik

Quintet – Events 1998/1999 (5CD set)
PNL (Norway), Late 90s. New Copy 5CD
A huge document of a really special group – a meeting of two different generations of Norwegian improvisers who made some really incredible sounds together! The Quintet only released one album back in the day, so this 5CD set really expands the group's recorded output – and stands as a ... CD

Steve Davis

Correlations
Smoke Sessions, 2019. New Copy
Trombonist Steve Davis blows here with the Correlations Sextet – a group we might be hearing for the first time, and who add just another mighty feather to Steve's already-stuffed cap! Davis has really taken off in the past decade or so – always a strong trombonist, but now and equally- ... CD

Arashi (Akira Sakata/Johan Berthling/Paal Nilssen Love)

Jikan
PNL (Norway), 2019. New Copy
Legendary Japanese reedman Akira Sakata joins younger improvisers Johan Berthling on bass and Paal Nilssen-Love on drums and percussion – and really seems to shape their performance, given the results of the record! Sakata blows both alto sax and bass clarinet – always with that rich, ... CD
 



⇑ Top