Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Quinn Martin Collection Vol 1 – Cop & Detective Series (Barnaby Jones/Dan August/Most Wanted/Cannon)

CD (Item 917217) La La Land, Mid 70s — Condition: New Copy
2CD
Temporarily Out Of Stock

CD

✈
❔

A motherlode of cop and crime soundtracks from the 70s – none of which have ever been commercially released before! All the music here comes from the mighty holdings of Quinn Martin Productions – the wellspring of so many great hour-long TV detective shows in the 70s – often well-penned dramas that were really a cut above the usual! The company's approach was always pretty top-shelf – and that included the music, too – which was often scored in superb ways, especially considering that in the pre-DVD days, many of these shows would only get seen once or twice. There's a quality level here that matches most widely-circulated 70s cop soundtracks from the cinematic world – and many of the composers are of the same caliber, too – with material that includes 18 tracks for two Dan August episodes by Dave Grusin, 15 more tracks by Lalo Schifrin for an episode of Most Wanted, 15 tracks for Barnaby Jones by Jerry Goldsmith, 20 tracks for two episodes of Cannon by John Parker, and more material by Duane Tatro, Nelson Riddle, Patrick Williams, David Shire, and Bruce Broughton.  © 1996-2019, Dusty Groove, Inc.
(Limited edition!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Dominic Frontiere/Duane Tatro/Richard Markowitz/Irving Getz/Sidney Cutner

Quinn Martin Collection Vol 2 – The Invaders
La La Land, Late 60s. New Copy 2CD
A really cool collection of sci-fi soundtrack work – a massive 79 tracks pulled from the short-lived but excellent TV show The Invaders – a striking visual experience that was presented with some equally great music! The whole thing is a great reminder of a time when the TV studios ... CD

Rose McDowell & Shawn Pinchbeck

Far From The Apple Tree (with bonus track)
Glass Modern (UK), 2019. New Copy
A moody little soundtrack – but one that stands strongly on its own as a record – thanks to inventive weaving of vocals, tapes, and electronics from Shawn Pinchbeck and Rose McDowell! Rose has a voice that might be light and airy in another setting, but which is layered here in gentle ... CD
Cherry Red (UK), 1971. New Copy 3 CDs
Maybe the greatest moment ever from Brit soundtrack genius Roy Budd – an artist who started with his roots in jazz piano, but who really explodes here in a range of groovy styles! The main title is an incredible blend of Eastern percussion and moody jazz – and other cuts bring in some ... CD

Bob Dorough

Multiplication Rock
Capitol (Japan), 1973. New Copy
Sure, it was silly stuff when we were kids – but once De La Soul sampled "Three Is The Magic Number", this record became one of the most prized in our possession! And thanks to that hip hop reintroduction, we've really fallen in love with the music again over the years – ... CD
GAD (Poland), 2019. New Copy 2CD
A more recent soundtrack from Polish composer Andrzej Korzynski – put together for a film by the son of his old partner, director Andrzej Zulawski – and in a way that continues their cinematic legacy from previous years! The roots of the music like in older Korzynski recordings, but ... CD

Andrzej Korzynski

Tulipan
GAD (Poland), 1986. New Copy
A fantastic electronic score from Polish composer Andrzej Korzynski – one that's very much in the modes you might expect from its mid-80s date, but with a vibe that's very different than American and Italian soundtracks of the time! Korzynski uses plenty of keyboards and a fair bit of beats ... CD
GAD (Poland), 1967. New Copy
A fantastic lost slice of work from the legendary Krzysztof Komeda – and a set that's quite different than some of his avant jazz classics of the 60s! This album's still got a lot of jazz in the mix, but there's also a lot of the "sweet" mentioned in the title – mostly in ... CD

Andrzej Korzynski

Akademia Pana Kleksa
GAD (Poland), 1983. New Copy
A weird and wonderful lost soundtrack from Polish composer Andrzej Korzynski – done for a movie that was essentially a children's story, but with a great array of unusual sounds and very cool 80s keyboards! The music is very much in par with some of Korzynski's other classics – and ... CD
DOL (Russia), Late 50s/Early 60s. New Copy 5CD
5CDs, and a set of great soundtracks to early films by director Federico Fellini – music that forever set the standard for a new generation of film composers! First up is La Strada – the brilliant mid 50s filled that starred a young Giulettia Masini as one of the saddest clowns ever to ... CD

Nino Rota & Others

Fellini Masterpieces (3CD set)
El (UK), 1950s/1960s/1970s/Early 80s. New Copy 3CD
A full range of music from the film career of director Federico Fellini – a package that features a few key soundtracks from frequent collaborator Nino Rota – plus other music that really shows the evolving style of Fellini over the years! The set is heavy on key Rota scores of the 50s ... CD

Edwin Astley/Tony Crombie

International Detective/Man From Interpol
El (UK), Late 50s/Early 60s. New Copy
CD...$3.99 13.99
A pair of cool British TV soundtracks – both of which feature an action jazz style to rival the best early work of Henry Mancini for the television screen! First up is lost spy soundtrack work from the British composer Edwin Astley – best known for his work on The Saint and Danger Man, ... CD
Capitol, 1969. New Copy 2 CDs
Maybe not the first album from the legendary Band – but a record in which the group get everything completely right all the way through – and sparkle with that special sound that continues to influence generations of music makers, and music lovers! All the great elements the group were ... CD
 



⇑ Top