Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Demos 1973 to 1975 – Vol 1

LP (Item 916451) Far Out (UK), Mid 70s — Condition: New Copy
❔

Amazing early work from Azymuth – rare demo recordings done at the home studio of keyboardist Jose Roberto Bertrami, in the short space before the group issued their legendary debut! The tracks here are as much jazz funk as they are the later modes that Azymuth would put forth – killer instrumentals that are really driven by great keyboard lines from Bertrami, who'd already been making music in other formats for years – and who works here on Fender Rhodes, Arp, Clavinet, Hammond, and a range of other keyboards too! The drums are fantastic, too – handled by a young Ivan Conti, who gets help on percussion from an early fourth member of the group, Ariovaldo Contesini – and as you might guess, the incredible basslines of Ivan Mamao Conti really help the whole thing groove. All material is very well-recorded – these aren't rough or unfinished tracks at all – and the whole thing should just be thought of as a first chapter for the group, right before they started putting out their famous records. Titles on this first volume include "Prefacio", "Castelo", "Melo Do Cuica", "Xingo", "Laranjeiras", "Eqiupe 68", and "Unknown Song For Mario Telles".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Atlantic/Mr Bongo (UK), 1977. New Copy (reissue)
An incredible little record – and the set where it really all comes together for this legendary funky jazz group! Azymuth were already great on their debut, although maybe a little experimental at times – but here, they really find the soulful groove that later got them big fame on the ... LP, Vinyl record album
Far Out (UK), 1980. New Copy 2LP
Beautiful work from Milton Nascimento – songs done for a ballet, but served up with the same understated brilliance of some of Milton's other studio material! The songs are never overblown or the sort that you'd know from a larger piece of this sort in the European tradition – and ... LP, Vinyl record album
Far Out (UK), 2018. New Copy
Really mindblowing work from legendary drummer Ivan "Mamao" Conti – a key part of Azymuth through that group's many years – and still going strong here as a solo artist on his own! The album's almost a 21st Century realization of the sound that Azymuth was going for back in ... LP, Vinyl record album

Ricardo Richaid

Travessiero Feliz
Far Out (UK), 2020. New Copy
A soaring blend of Brazilian modes – served up here by Ricardo Richaid, who's almost a one-man army himself, given the amount of instruments he plays on the set! Yet the record is also way more than just a batch of tunes cooked up in a bedroom – as Richaid has collaborators on nearly ... LP, Vinyl record album

Antonio Adolfo

Viralata
Artezanal/Far Out (UK), 1979. New Copy (reissue)
Fantastic stuff – and one of the greatest records ever by Brazilian keyboardist Antonio Adolfo! The album was recorded at the end of the 70s, and has a sound that's a lot like the best fusion work by Azymuth – a great mix of jazz and funk, plus more dynamic Brazilian elements – ... LP, Vinyl record album
Far Out (Brazil), 1975. New Copy (reissue)
A record with an unusual source, but a sound that puts it right up there with some of the most heavenly rare Brazilian albums of the 70s – served up here in a folksy, jazzy mix of acoustic and electric elements – all with help from heavyweights who include Victor Assis Brasil, Mauricio ... LP, Vinyl record album
Philips/Polysom (Brazil), 1974. New Copy (reissue)
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar ... LP, Vinyl record album
Philips/Polysom (Brazil), 1976. New Copy (reissue)
A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves – and the result is a masterpiece that yeilded some of his biggest tracks ever. Included here is the great choppy funk ... LP, Vinyl record album
Philips/Polysom (Brazil), 1969. New Copy (reissue)
One of the most mindblowing albums ever recorded – anywhere, anytime! This 1969 set stands as one of the greatest records ever cut by Gal Costa – done at the height of the Tropicalia movement, and featuring a sublime mix of styles that really gets the spirit of the movement right. ... LP, Vinyl record album
Philips/Polysom (Brazil), 1964. New Copy (reissue)
One of Jorge Ben's greatest albums – a groundbreaking blend of samba and soul that forever went onto transform the face of Brazilian music! The record works off the groove set down by Jorge's earlier hit "Mas Que Nada" (which appears on another LP), and takes the blend of bossa, ... LP, Vinyl record album
Continental/Polysom (Brazil), 1973. New Copy (reissue)
Crazy stuff! This is the record with the famous cover of a marble balanced on an asshole (!) – and it further refines Tom Ze's distinctive approach to songwriting with an over the top approach that moves far beyond the experimentation of Tropicalia! The record is incredible, with a mix of ... LP, Vinyl record album
Polydor/Polysom (Brazil), 1971. New Copy Gatefold (reissue)
One of the funkiest records ever from Brazilian soul legend Tim Maia – and a set that also has him singing a bit of English language lyrics too! The groove here is that classic Maia blend of Brazilian roots with American funk and soul – echoes of forro or samba in some of the rhythms, ... LP, Vinyl record album
 



⇑ Top