This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A rare Japanese set collecting Art Pepper's legendary 1977 recordings at the Village Vanguard – really open, freewheeling material that has the mature altoist at his best! The group features George Cables on piano, George Mraz on bass, and Elvin Jones on drums – and Pepper also plays ... CD
Strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums ... CD
A later issue of material recorded in the late 60s by Phineas for Contempoary – tunes from the sessions for the album Please Send Me Someone To Love, but which didn't make the cut at the time – and are here issued a decade after the original recordings! The group on the set features ... CD
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... CD
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it' ... CD
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his ... CD
A classic album of soulful hardbop from the mid 70s – one that features the classic VSOP group with Herbie Hancock on piano, Freddie Hubbard on trumpet, Wayne Shorter on tenor, Ron Carter on bass, and Tony Williams on drums – all nicely returned to the acoustic splendor of their early ... CD
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – ... CD
An album of incredible beauty – and one of the key early sides that Shorter cut for Blue Note! It's nearly impossible to describe the genius of these records without playing them – and upon playing, all words disappear in the brilliance of Shorter's incredible tone, solo imagination, ... CD
A beautiful little album, very different than Wayne Shorter's other work, and sort of a "return of the favor" to the nation of Brazil for the country's rich musical influence on his music! Milton Nascimento sings vocals on most cuts, and if anything, the album resembles Nascimento's work ... CD
A seminal meeting of the old and new generations of jazz – put together in perfect Impulse fashion! At some level, this is actually a Coltrane Quartet album, with Duke sitting in for McCoy Tyner – as that's the lineup on about half of the album, tracks that feature Coltrane, Elvin ... CD