Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Sons

CD (Item 915763) BMG, 2019 — Condition: New Copy
$12.99 ...

CD

List Price: 13.98

A fierce full-on blend of rock and soul from The Heavy – not to be confused with Heavy, the more soul-based combo from a decade back! These guys are determined to cross over big, with a sound that really fits their look on the cover – a tight, sometimes tuff, blend of guitar, bass, and drums – often topped by a bit of horns to underscore some of the more soulful elements in the music. Titles include "The Thief", "Better As One", "Put The Hurt On Me", "Simple Things", "Fighting For The Same Thing", "A Whole Lot Of Love", "What Don't Kill You", and "Burn Bright".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Jazzman (UK), 2013. New Copy
A totally great little set from Sign Of Four – a project of Miles Newbold from the Natural Yogurt Band – served up with an approach to exotic jazz funk that's even trippier than his previous work! Miles plays a load of live instruments here – vibes, flute, guitar, percussion, and ... CD
Schema (Italy), 2011. New Copy
Classic-styled funk from Alex Puddu – not only the greatest record we've heard from him so far, but a set that's definitely worthy of its "golden age" claim in the title! The music is all new, but it was done for a series of short Danish porno films from the 70s – and Puddu ... CD

Delvon Lamarr Organ Trio

Close But No Cigar
Colemine, 2018. New Copy
An organ trio, and one with plenty of soul – romping drums, riffing guitar, and some mighty sweet work on the Hammond by Delvon Lamarr! This is the first we've ever heard of the group, but they're rock solid and right on the money – working with a lean, hard style that's completely ... CD
Colemine, 2018. New Copy
Damn! Orgone just keep getting better and better – to the point where we might almost say that there's no difference between the strength of the group's sound and all the funky 70s acts that have inspired their music! The instrumentation and production are right on the money throughout ... CD
Legere (UK), 2019. New Copy
The freewheeling Shawn Lee rides again, this time steering into folk soul, country funk and personally reflective songwriting in ways we haven't heard from him before – all the while living up to his genre-straddling indie funk legacy and penchant for winning stylistic detours over the years! ... CD

Natural Yogurt Band

Away With Melancholy
Jazzman (UK), 2008. New Copy
One of the hippest non-reissue records we've heard so far from the Jazzman Records empire – a massive set of grooves with a really odd sort of feel! Natural Yogurt Band work in spare, funky territory – serving up some very heavy drums (played by Wayne Fullwood, formerly of Little ... CD
Jazzman (UK), 2009. New Copy
An amazing deep funk combo from Japan – one that almost rivals Osaka Monaurail for classic-styled grooves! These guys have a sharpness that reminds us of the late 60s James Brown Band at their best, touched with a bit of JBs instrumental riffing – all produced with just the right ... CD

New Mastersounds

Shake It
Color Red, 2019. New Copy
The New Mastersounds shake it strongly here – still with all the great core energy of their classic quartet lineup – but further expanded with excellent lead vocals from Lamar Williams, plus a bit of tenor and trumpet too! The group have always been funky, but they've got a nicely ... CD

Tuxedo (Mayer Hawthorne & Jake One)

Tuxedo III
Funk On Sight, 2019. New Copy
There's a sticker on the cover that proclaims "third time's the charm" – and while that might be the case, we've also got to admit that we've always been pretty well charmed by Tuxedo – a great outlet for the soulful talents of Mayer Hawthorne, as he teams up with Jake One! ... CD

Hannah Williams & The Affirmations

50 Foot Woman
Record Kicks (Italy), 2019. New Copy
Hannah Williams comes on with a fuller force than before – really topping the energy of The Affirmations with a quick-stepping approach to soul music that's every bit as sharp as their instrumentation! Shawn Lee produced the set, which might account for some of the energy – and there's ... CD

Kim Jung Mi

Kim Jung Mi
World Psychedelia (Korea), 1974. New Copy
Groovy folk funk from mid 70s Korea – mad, pulpy tunes from Kim Jung Mi – possibly her best work ever! This wonderful self-titled set is a pretty deep left turn from her other material that we've been lucky enough to get our hands on – this one really goes deeper into the ... CD

Kim Jung Mi

Wind
World Psychedelia (Korea), 1973. New Copy
A tasty, trippy little set of Korean psychedelic folk from Kim Jung Mi – another wonderful little batch from a great run of work in the early-to-mid 70s! Wind has a breezier, more meditative approach on some numbers – with some strings and a fair stripped down sound supporting her ... CD
 



⇑ Top