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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Two orchestral pieces in a slightly different mode than some of Berio's more strident work, with Cathy Berberian performing the vocal parts alongside the Julliard Ensemble and BBC Symphony Orchestra. LP, Vinyl record album
This was the first of Moondog's albums on Columbia – produced in a style that took him a lot more seriously than other albums on labels like Brunswick or Prestige, and handled in a way that slots it nicely between the label's experiments in modern music with artists like Terry Riley or Harry ... LP, Vinyl record album
Excellent album of avant garde electronic pieces based on the Tibetan Book Of The Dead, and written by French electronic music genius Pierre Henry. This LP's very different than his funky Messe Pour Les Temps, and has a spare, hollow, spooky sound, with lots of noisy bits, and harsh electronics. ... LP, Vinyl record album
A key record in showcasing Frank Zappa's blend of complicated compositions and all-out jamming – that mix of hard rock and serious songwriting that would direct his energy for most of the 70s – yet still pretty darn raw at this point! The album's a live one – with some of the ... LP, Vinyl record album