This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
Four long tunes – "I Got Rhythm", "JATP Blues", "I Surrender Dear", and "Slow Drag" – played by a group that includes Charlie Parker, Coleman Hawkins, Irving Ashby, Willie Smith, and Lester Young. Classic work in the early Norman Granz mode ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "Love For Sale", "Wrap Your Troubles In Dreams", "Louise", "Come Rain Or Come Shine", ... LP, Vinyl record album
The moods of Bud Powell are some plenty darn ones – corners of sound that few other players had explored at this point in time – served up here especially well in the album's gentler numbers, which almost seem like evil doppelgangers to some of the more rote cocktail piano of the 50s! ... LP, Vinyl record album
Stunning early work from Stan Getz – the kind of simple but breathtaking sides that he cut before any of his later fame – in a mode that made him one of the most inventive talents on the tenor sax! Stan's caught here right past the first flurry of initial time in the studio – ... LP, Vinyl record album
Sharp-edged tenor genius from Flip Phillips – and a great illustration of why he was one of the key early stars in Norman Granz' Verve empire! The tracks here are short but hard jamming – with equal contributions from players who include Charlie Shavers on trumpet, Oscar Peterson on ... LP, Vinyl record album
One of the really unique albums on Verve's "Special Series" of the early 50s – a set of tracks that mix modern orchestrations and jazz – written and conducted by Moore, and featuring Calvin Jackson as the lead soloist on piano! Side one features the extended "Concerto ... LP, Vinyl record album
Shaw's on clarinet (natch!), and the rest of the group includes Hank Jones on piano, Joe Puma on guitar, Tommy Potter on bass, and Irv Kluger on drums. The whole thing's packaged in a lovely David Stone Martin abstract cover – and titles include "Yesterdays", "Supposin", ... LP, Vinyl record album
One of Hamp's cool little open-ended sessions for Verve – done in a style that's much more jam-session oriented than some of his other work from earlier (or later) years! The album features Hamp playing vibes with a small combo that includes Buddy De Franco, Herb Ellis, Buddy Rich, Oscar ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album
A lost bossa jazz classic from Dizzy Gillespie – recorded at a time when Lalo Schifrin was working in his combo! The record's got a cool, laidback kind of groove – one that's miles away from Gillespie's earlier bop work, and which shows him opening up his rhythmic conception strongly ... LP, Vinyl record album