Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Kinky Music

LP (Item 914063) Richmond/Trading Places (UK), 1965 — Condition: New Copy
(reissue)

Larry Page was a big figure in the British music scene of the 60s – manager of the Kinks, and a growing force in record production too – so much so, he decided to put himself in the limelight as the leader of this all-instrumental set of songs by his most famous group! Ray Davies arranged all the tunes, and the readings follow pretty closely to the structure of original Kinks tunes – but shift things up with the instruments used – adding in more horns, shifting a keyboard for a guitar, or vice versa – and filling up the space in the middle to cover up the absence of the vocals! The set is also noteworthy for a bit of guitar by a young Jimmy Page – and titles include "One Fine Day", "Come On Now", "Tired Of Waiting For You", "Don't Ever Change", "You Really Got Me", "Just Can't Go To Sleep", "Everybody's Gonna Be Happy", and "All Day & All Of The Night".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Capitol/Captain High (Germany), 1959. New Copy (reissue)
One of our favorite albums ever from the mighty Les Baxter – and one of the few from his Capitol years that really has a strong jazz component! The approach here is similar to Les' classic African Jazz set – with lots of rootsy percussion at the core, maybe more than usual for Baxter ... LP, Vinyl record album
A&M/Elemental (Spain), 1967. New Copy (reissue)
Fantastic! We love Burt Bacharach in so many ways that it's easy to forget the genius of these early A&M sides – but going back to them is always a treat, and it's wonderful to hear the way that Burt lays down his own work when given the chance! You know the tracks – "House ... LP, Vinyl record album
Verve/Modern Harmonic, Late 60s. New Copy Gatefold (reissue)
A groundbreaking record that was done as something of a gimmick in the late 60s – but which has gone on to be a funky world classic over the years! Producer Alan Lorber was trying to cash in on the big love of "Eastern" styles in the late 60s – sitars, meditation, yoga, and ... LP, Vinyl record album

Warren Baker with Paul Tanner & Andre Montero

Music For Heavenly Bodies
Omega/Modern Harmonic, 1958. New Copy Gatefold (reissue)
There's two sorts of heavenly bodies on the cover – but the real charms of the record lie inside, as the set's overflowing with incredible early theremin recordings! The album features spacey orchestral settings arranged by Warren Baker, and conducted by Andre Montero – plus fantastic ... LP, Vinyl record album

Brownout Presents – Brown Sabbath

Brown Sabbath 2
Ubiquity, 2016. New Copy
A sweet return to Brown Sabbath territory – that wicked blend of deep funk rhythms and fuzzy guitar, served up by the Brownout collective! The groove has some of the Latin elements that you'd know from Adrian Quesada's other work – but the rising guitar lines dominate a lot more – ... LP, Vinyl record album
Crammed (Belgium), 1979. New Copy (reissue)
One of our favorite mixing of modes from the old school – a tremendous second album from the legendary Aksak Maboul! The record mixes arty playfulness with some rootsier elements – bits of Eastern instrumentation, jazz, improvisation, and even some post-punk elements – all in a ... LP, Vinyl record album

David Axelrod

Song Of Innocence
Capitol/Now Again, 1968. New Copy (reissue)
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house ... LP, Vinyl record album

Karl Hector & The Malcouns

Non Ex Orbis
Now Again, 2019. New Copy
Some of the fullest, freakiest sounds we've ever heard from Karl Hector & The Malcouns – and a set that almost has the contemporary combo resonating with some of the older psych and fuzz that often gets reissued on the Now Again label! JJ Whitefield – of Whitefield Brothers/Poets ... LP, Vinyl record album
Continental/Groovie/Lion, 1973. New Copy Gatefold (reissue)
Massively heavy sounds from A Bolha – a Brazilian group who were previously known as The Bubbles, and backed up Gal Costa during the Tropicalia years – but who work here in a fuzzy, bassy groove that's totally great – definitely an heir to the headier sounds of the UK scene at the ... LP, Vinyl record album
Mercury/Real Gone, Early 70s. New Copy Gatefold (reissue)
An insane record – and one of the strangest moments in pop music during the early 70s! Coven are best known to most folks for cutting the message-oriented, sweet folk tune "One Tin Soldier" – but here, they change course completely – and offer up a whole album dedicated ... LP, Vinyl record album
 



⇑ Top