Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Natural Time (with bonus track)

CD (Item 914039) Dreamland (Austria), 2016 — Condition: New Copy
$19.99 ...

CD

Also available
Muriel Grossmann — Natural Time ... LP 34.99

A real step forward for saxophonist Muriel Grossmann – as the set seems to have a new sort of fire that wasn't there on her debut – as Grossmann and quartet open up to embrace the world of modal rhythms! The tunes here all have this fantastic sense of pulse – energy that comes from these sublime basslines by Gina Schwarz, balanced with open-ended drumming from Uros Stamenkovic, and given all these warm colors by guitarist Radomir Milojkovic – a player who's equally brilliant on the record as Grossmann – who blows both soprano sax and alto, each with this amazingly intuitive sense of a solo – as if her spirit is effortlessly flowing through the horns. Titles include "African Dance", "Peace For All", "Bliss", "Natural Time", "Lightning", "Your Pace", and "Happiness". Includes bonus track "Inner Fire"  © 1996-2021, Dusty Groove, Inc.
(Repress with new bonus track!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Muriel Grossmann

Union
Dreamland (Austria), 2021. New Copy
Completely stunning music from the marvelous Muriel Grossmann – a saxophonist who's become one of our favorite jazz talents over the course of the past decade – thanks to deeply spiritual work like this! The album's got a Hammond organ, something you're not as always likely to see in a ... CD

Muriel Grossmann

Golden Rule
Dreamland (Austria), 2019. New Copy
Searing work from saxophonist Muriel Grossmann – a player who clearly draws a lot of inspiration from late 60s John Coltrane – but who also turns out a record here that's completely her own! The tracks are long, modal, and very spiritual – and the group has an unusual balance ... CD

Nick Mazzarella/Ingebrigt Haker Flaten/Avreeayl Ra

What You Seek Is Seeking You
Astral Spirits, 2021. New Copy
CD...$8.99 14.00
A really wonderful trio, and working here with results that are even better than we might have guessed from just the names on the date! The alto sax work of Nick Mazzarella is set up beautifully here next to the bass of Ingebrigt Haker Flaten and drums of Avreeayl Ra – as all three players ... CD

Artifacts (Nicole Mitchell/Tomeka Reid/Mike Reed)

And Then There's This
Astral Spirits, 2021. New Copy
CD...$8.99 14.00
Three really fantastic musicians – working together to turn out one the best records we've ever heard from any of them in years! Make no mistake, we love these guys in all sorts of other settings – but here, there's something really special, and definitely a cut above – this warm ... CD

Sven Ake Johansson/Niklas Fite/Joel Grip

Swinging At Topsi's
Astral Spirits, 2021. New Copy
CD...$8.99 14.00
Legendary drummer Sven Ake Johansson is still swinging hard here – but in a way that's very much up to his own legacy in jazz! The set features two very long improvisations, plus two more numbers with more of a song structure – played by Johansson on drums, Niklas Fite on acoustic ... CD

James Brandon Lewis

Code Of Being
Intakt (Switzerland), 2021. New Copy
Tenorist James Brandon Lewis has really been on fire in recent years – always opening up new doors in his music, and surprising us with each new record, which seems to have a slightly different flavor that further expands his palette of sound! Here, Lewis presents some beautiful original ... CD
Judnell/Now Again, 1971. New Copy 2CD
CD...$6.99 15.98
Some of the most righteous sounds we've ever heard from Houston legends The Lightmen – recorded at a time when the group was at their most spiritual, and very firmly following a cosmic path set down by drummer Bubbha Thomas! The music here owes nothing to the hippest sounds coming from the ... CD

Brandon Seabrook Trio

Exultations
Astral Spirits, 2020. New Copy
A record that really comes on with a hell of a lot of power – tight, fast drums from Gerald Cleaver – matched with fuzzy, chromatic work on guitar from Brandon Seabrook – all punctuated with work from Cooper Moore on the diddley bow! The drums and guitar are the driving engine of ... CD

Rodrigo Amado

Northern Liberties
Not Two (Poland), 2021. New Copy
Tenorist Rodrigo Amado is at the head of a really great group here – a quartet that can come on fierce when needed, but also really work together to build up their sound slowly – improvising in ways that are open, yet feel structured too – especially on the moments that let the ... CD

Wadada Leo Smith/Henry Kaiser/Alex Varty

Pacifica Koral Reef
577, 2021. New Copy
An album-length improvisation from a very unusual trio – one that's based on an Ankrasmation score by trumpeter Wadada Leo Smith, but which is also heavily influence by the guitar work and production of Henry Kaiser! The album may well be one of the most spiritual we've heard from Henry in ... CD
Not Two (Poland), 2021. New Copy Gatefold
The great reedman Mark Whitecage is a player who never fully got his due – a really unique talent in terms of phrasing and rhythm, finally given one last chance at the spotlight here on this final recording with The Nu Band, a group in which he played for many years! All four players here ... CD
Hat Hut (Switzerland), 1962. New Copy
Fantastic material from an important early tour of Europe by the John Coltrane Quartet – tracks recorded in Graz, Austria – and a perfect example of the group as they were really beginning to stretch out and explore! At some level, the vibe here is like the famous first run of Village ... CD
 



⇑ Top