Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Twentieth Anniversary Mixtapes – Groiddest Shizznits Vol 3

CD (Item 913660) Avantgroidd, 2000s/2010s — Condition: New Copy
$12.99 ...

CD

A fantastic 20th anniversary celebration of Burnt Sugar – one of the most righteous, forward-thinking ensembles of the past few decades – some of the first proponents of a 21st Century sound that now seems to be flowing from many other corners! Yet these guys are still unlike anyone else we can think of – maybe a jazz ensemble at the core, but one that's keenly aware of soul, funk, and hip hop – and not afraid to allow any of those elements equal play in their music – almost as if Duke Ellington grew up in the 90s, listening to electric Miles Davis, Tribe Called Quest, and Curtis Mayfield – then found a way to expand larger musical ideas based on influences that diverse. Greg Tate founded the group, and directs with bassist Jared Michael Nickerson – and this series of three CDs is dedicated to bringing back some of the group's best work, much of which has gone out of print in recent years. Guests on this third volume include Vijay Iyer, Matana Roberts, Anti-Pop Consortium, Jeremiah Abia, and others – and titles include "God Is Black", "Black Fros Black Gold", "Young Frankenstank", "Sleep Is The Cousin Of Def", "Mack Jarrett", "Chains & Water", "The Name Is Blunt Sonny Blount", "Spartacus Free The Slaves", and "A Blood Sample From Erroll Garner".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Avantgroidd, 2000s/2010s. New Copy
A fantastic 20th anniversary celebration of Burnt Sugar – one of the most righteous, forward-thinking ensembles of the past few decades – some of the first proponents of a 21st Century sound that now seems to be flowing from many other corners! Yet these guys are still unlike anyone ... CD
Avantgroidd, 2000s/2010s. New Copy
A fantastic 20th anniversary celebration of Burnt Sugar – one of the most righteous, forward-thinking ensembles of the past few decades – some of the first proponents of a 21st Century sound that now seems to be flowing from many other corners! Yet these guys are still unlike anyone ... CD
Tru Thoughts (UK), 2019. New Copy (pic cover)
A masterpiece from Will "Quantic" Holland – an artist who always surprises us with new sounds, but really blows us away with the depth in this set! Quantic started out groovy, then got funky and soulful, then embraced a range of Latin cultures in later work – and throughout ... CD

Budos Band

V
Daptone, 2019. New Copy
It's hard to believe that the Budos Band have been around long enough to give us five full albums – but along the way, they've also picked up plenty of power to add to their sound! This time around, the guitars seem even sharper than ever – full and fuzzy, and maybe even touched with ... CD

Mama's Gun

Golden Days
Ubiquity, 2019. New Copy
Funk-tinged modern soul from Mama's Gun – the London based combo who've been making waves across the globe for close to a decade leading up to Golden Days, which sounds right at home on Ubiquity Records! The songs and overall sound blend vintage inspiration with sly modern touches, from a ... CD

Lance Ferguson

Rare Groove Spectrum
Freestyle (UK), 2018. New Copy
Lance Ferguson has given us plenty of great work over the years – from his work in The Bamboos, to all his many other projects – yet as much as we've liked all of those, this one might actually be one of his best – a fantastic reworking of rare groove tracks from the 70s, all with ... CD
One Note (UK), 2000s. New Copy
A great look at the heavy grooves of The New Mastersounds – one of the hardest working combos in the deep funk underground – with a resume of great music that stretches back for over a decade! The set brings together album cuts, rare singles, and a few surprising numbers as well – ... CD
One Note (UK), 2000s. New Copy
There's almost no introduction needed to the New Mastersounds – given how much greatness the group has given us over the years – a perennial favorite here at Dusty Groove, both with customers and our own soundsystems as well! But even if you know these funky stalwarts, there's still ... CD

Orgone

Reasons
Killion Sound, 2019. New Copy
Orgone just seem to get better and better as the years go on – from a more standard funk combo to one who've really found their own groove – which they seem to push even further here with the addition of singer Adryon De Leon – a vocalist who really helps bring some focus to their ... CD

Cotonete & Di Melo

Atemporal
Favorite (France), 2019. New Copy
A legendary soul singer returns to the fold – the mighty Di Melo, who's best known for one killer Brazilian funk album in the 70s – working here with superb support from contemporary French combo Cotonete! Di Melo's vocals maybe sound even better than before – with a raspy charm ... CD

Abstract Orchestra

Madvillain Vol 2
ATA (UK), 2019. New Copy
A really great take on the music of Madvillain – that famous collaboration between Madlib & MF Doom – served up here in a mostly instrumental mode that's heavy on funk and jazz! You'll definitely recognize the tunes in the set, but the presentation is very different – almost ... CD

Midnight Hour (Adrian Younge & Ali Shaheed Muhammad)

Midnight Hour Live At Linear Labs
Linear Labs, 2019. New Copy
Adrian Younge is best known as a studio genius – and he's certainly working in that setting here – but in a live environment, with a larger group – in a way that really shows off a whole new side of his talents! Younge's partner here is Ali Shaheed Muhammad – who plays bass ... CD
 



⇑ Top