Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Land Of Real Men

CD (Item 911353) WeJazz (Finland), 2019 — Condition: New Copy
$12.99 ...

CD

Also available
Ilmiliekki Quartet — Land Of Real Men (with bonus download) ... LP 26.99

The long-overdue return of a combo that had a huge impact on the sound of jazz on the Scandinavian scene over the past decade or two – given that its members have been involved in such important projects as Five Corners Quintet, Tuomo, Oddarang, and the Timo Lassy combo! Yet at the core, these four musicians are all very individual, and very different than some of that work – much more jazz-based, with a creative interplay between rhythm, tone, and texture – the last of which comes through especially strong in the trumpet work of Verneri Pohjola, which is completely sublime – almost with the power of a tenorist in some ways, but very tied to the structure of his instrument. Tuomo Prattala provides some really amazing textures on piano, alongside the bass of Antti Lotjonen and drums of Olavi Louhivuori – in modes that really keep things interesting throughout. The group begins with a great instrumental reading of Laurie Anderson's classic "O Superman", and other tracks include "Ravelogue", "Land Of Real Men", "Twisted Thistle", "Afterimage", and "Lonely Lonely".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Jukka Eskola Soul Trio

Steamy
Timmion (Finland), 2019. New Copy
An excellent group, and one with a really great concept – a fresh take on a format that was big in the 60s soul jazz scene, but spun out in a very unique way – both in terms of instrumentation, and in terms of the groove! Trumpeter Jukka Eskola heads the trio, which also features ... CD

Matthew Halsall

Oneness
Gondwana (UK), 2019. New Copy
Never-issued work from trumpeter Matthew Halsall – most of it recorded during the year of 2008, a time when Halsall was first really starting to make a name for himself – and also working with the great tenorist Nat Birchall! Birchall is on most of these tracks, and together the pair ... CD

Greg Foat & James Thorpe

Photosynthesis
Athens Of The North (UK), 2019. New Copy
A very cool collaboration between Greg Foat and James Thorpe – a set that's billed more as a sound library session than some of Foat's other jazz projects – even though the sound is equally appealing if you love those records too! The set is self-described as "futuristic analogue ... CD

Seed Ensemble

Driftglass
Jazz Refreshed (UK), 2019. New Copy
A fantastic album by this up-and-coming spiritual group from London – an ensemble led by alto saxophonist Cassie Kinoshi, but definitely a unified group effort all the way through! Konishi composed all the music – and a few songs feature words by Langston Hughes – and the rises ... CD

Nat Birchall

Akhenaten
Gondwana/Nat Birchall (UK), 2008/2009. New Copy
Mindblowing work from a tenorist we only just discovered with this amazing debut album – a deeply spiritual player who comes off beautifully on this set of original compositions! Nat Birchall blows with a range of feeling that takes us back to the 70s best of Pharoah Sanders, Billy Harper, ... CD

Timo Lassy & Teppo Makynen

Timo Lassy & Teppo Makynen
WeJazz (Finland), 2019. New Copy
Music that you'd hardly expect, if you only know the more groove-oriented side of saxophonist Timo Lassy – the sounds he's given us from the Ricky-Tick years onwards – because this album is straight jazz overall, and a relatively improvised one at that! The album shows off a whole ... CD
Fremeaux & Associates (France), 1990s/2000s/Early 2010s. New Copy 4CD
A wonderful package – one that brings together five excellent albums from pianist Alan Jean-Marie – an important player on the French scene, but one who never full gets his due on this side of the Atlantic! The set begins with Jean-Marie's first album of Biguine Reflections – a ... CD

Al Casey/Billy Butler/Jackie Williams

Guitar Odyssey
Fremeaux & Associates (France), 1974. New Copy
A really fantastic album of jazz guitar – one that features two masters from an earlier era, both recorded in the 70s in a really stripped-down setting! The group just features the drums of Jackie Williams with the guitars of Al Casey and Billy Butler – both players who have a highly ... CD
Smoke Sessions, 2019. New Copy
Tenorist George Coleman has a long legacy that stretches back decades in jazz – but here, he slides into a setting that most folks would associate with the work of saxophonist Eric Alexander – a quartet that features Harold Mabern on piano, John Webber on bass, and Joe Farnsworth on ... CD

Nicholas Payton

Relaxin With Nick
Smoke Sessions, 2019. New Copy 2CD
A really unique album from trumpeter Nicholas Payton – a musician who's given us plenty of major label records over the years, but who really sounds different here in a stripped-down set for the Smoke Sessions label! The album's just a trio date – with the sublime rhythm duo of Peter ... CD

Toshiko Akiyoshi/Lew Tabackin Big Band

From Toshiko With Love (Japanese paper sleeve edition)
RCA (Japan), 1981. New Copy
One of the lesser-known albums in the great run of big band records cut by pianist Toshiko Akiyoshi and reedman Lew Tabackin – and a set with a bit of a difference, too – as this time out, Tabackin wrote all the tunes, although Toshiko still handles all the arrangements and ... CD
Baystate/RCA (Japan), 1984. New Copy
A hokey title and cover, but a great little record – a lesser-known gem from the Toshiko Akioshi big band, recorded in the mid 80s for Japanese release! Toshiko's still working strongly with reedman Lew Tabackin here – and as always, the sound of the reeds really make the record – ... CD
 



⇑ Top