Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Komeda On Polish Radio 3 – Komeda & Milian

CD (Item 910942) Polskie Radio (Poland), Late 50s/Early 60s — Condition: New Copy
Out Of Stock

CD

✈

A mighty nice pairing from the early golden age of Polish jazz – a set of radio recordings that bring together the vibes of Jerzy Milian with the amazing piano work of Krzystof Komeda – also known for his big soundtracks in the second half of the 60s! Here, Komeda's a jazz musician with roots in bop, and a great ear for more complicated elements too – a perfect match for the modern vibes of Milian, who's easily one of the greatest European talents on the instrument of his generation – even if his placement behind the Iron Curtain meant that he never fully got his due! Jerzy has a clear inspiration from Milt Jackson, but often works with harder and more chromatic hues that remind us of Teddy Charles, or maybe even the young Walt Dickerson – and the set brings together material from three different sessions – one a quartet date, one a quintet with Wojciech Lechowski on guitar, and the last a sextet with Jan Wroblewski on clarinet and baritone. Titles include "Blues At Twilight", "Walkin", "The Chant", "Soon", "The Lady Is A Tramp", and "Love is Here To Stay".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Polskie Radio (Poland), 1985. New Copy
Soaring work from a Polish ensemble of the 80s – a group who definitely have some of the free cooperation promised by their name – but also resonate with a range of other elements too! At some level, these guys remind us of the more inventive bigger bands that broke on the European ... CD

Kamaal Williams

Wu Hen
Black Focus, 2020. New Copy
Keyboardist Kamaal Williams is light years ahead of his first record here – and that's saying a lot, as that album was already pretty darn far-reaching! The music still has plenty of Fender Rhodes and keyboards, and other jazz elements that include tenor from Quinn Mason – but the ... CD
Discomate/P-Vine (Japan), 1983. New Copy
A walearic classic from the Japanese scene of the early 80s – a set that's definitely got some of the Latin elements promised in the title, but which also resonates strongly with some of the more electronic modes of the time! The tunes are instrumental, and often a bit jazzy – but also ... CD

Larry Young

Larry Young's Fuel
Arista/Get On Down, 1975. New Copy
CD...$6.99 14.98
Quite possibly the greatest Larry Young album of the post-Blue Note years – and a massive bit of funk that totally redefines his sound! Larry's working here with his hip group Fuel – an ensemble that features Laura Logan on lead vocals, giving the tunes a real focus through her lyrics ... CD
Judnell/Now Again, 1970. New Copy 2CD
A record that definitely lives up to its title – as it's a lot freer and more spiritual than later work from drummer Bubbha Thomas and his Lightmen group! This set perfectly captures the unique vibe that the ensemble brought to the Houston scene at the start of the 70s – really the ... CD
Capitol/Now Again, 1970. New Copy
CD...$6.99 15.98
One of the most righteous, message-oriented albums ever from David Axelrod – and the third in his legendary trilogy of instrumental sets for Capitol Records! Earth Rot moves even past the modes of Songs Of Innocence and Songs Of Experience – to offer up a chilling message on the ... CD
Crown/P-Vine (Japan), 1961. New Copy
A really cool bit of bossa jazz from reedman Buddy Collette – an artist who's not as well associated with the genre as Stan Getz or Paul Desmond – but who really cooks nicely here! The setting is relatively lean and groovy – with guitar from Howard Roberts, bass from Mel Pollan, ... CD
Los Angeles Phonograph/P-Vine (Japan), 1978. New Copy
One of the few albums ever cut by pianist John Wood – and like all of his sets, a real indie jazz treasure that's well worth discovering! Wood's got this amazingly deft style on the keys – one that's inherently rhythmic, but never showy – always fit perfectly with the album's ... CD
Now Again/Stones Throw, 1973. New Copy
Rare funk from the Indy scene of the early 70s – the long-overdue release of material recorded by a really hard-jamming, horn-heavy combo! Amnesty have a sound that's awash in the best large group influences of the time – a bit of Earth Wind & Fire, a bit of Parliament/Funkadelic, ... CD
Studio One, Late 60s/1970s/Early 80s. New Copy
A great collection of rare gems from the Studio One label – one that's filled with unusual material that we've not seen elsewhere! Some of the tracks are alternate mixes, some are unissued recordings – and there's also a nice range of material that goes past the more familiar early ... CD
Bear Family (Germany), 1950s/Early 60s. New Copy
A really wonderful collection of work from the legendary Ruth Brown – one of the strongest female singers of the 50s R&B generation, and an undeniable influence on 60s rock and soul! The package brings together loads of gems from Ruth's years on Atlantic Records – a really well-chos ... CD
 



⇑ Top