Jiri Erml : New York Collected Bars 1990 to 1994 (hardcover) (Book) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

New York Collected Bars 1990 to 1994 (hardcover)

Book (Item 910689) Kant, 2012 
Out Of Stock

Book

New York drinking spots -- all photographed in a really timeless way by Czech photographer Jiri Erml -- a guy who clearly knows his way around a tavern! The images here are all from the early 90s, but they're also all black and white -- and taken in a way that feels much older than that -- partly because Erml really seems drawn to the older drinking establishments in the city -- and also because he loves to capture the aging, overlooked parts of the spaces! These aren't nightclubs or big hotspots from the time -- but instead the taverns are mostly local, each with their own character and spirit -- reflected in shots that include its patrons and bartenders, and often just the interior landscape of the bar itself. 117 pages, hardcover, black and white.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Repeat, 2021. New Copy
Witer Kit Mackintosh begins with the use of auto-tune in the first decade of this century, the uses that as a springboard to look at a the underground genres listed in the title! Kit's trying very hard to be current, and add in a chapter of musical history that's sometimes overlooked by more rock ... Book
Ten Speed Press, 2020. New Copy
A biography of one of the key creators in comics in the 20th Century – done in the format that he helped pioneer! The book is written in the first person – so more of an autobiography – although writer Tom Scioli provides all the words, and traces Kirby's evolution from a young ... Book
Wax Poetics, 2007. New Copy
The first 5 issues of the legendary Wax Poetics – the one-and-only genius publication dedicated to the art of crate-digging, aka funky soul & hip hop vinyl archeology – collected in this massive hardcover tome! Anthology Vol 1 tackles the essential chore of bringing those earliest ... Book
Yale University Press, 2014. New Copy
A groundbreaking book from Greil Marcus – one that gets past some of the overblown histories of rock music, to look at the medium in a completely different way! Marcus eschews all the big name performers and movements – and instead looks at the music through ten different songs – ... Book

David Byrne & Maira Kalman

American Utopia (hardcover)
Bloomsbury, 2020. New Copy
Many years back, we always thought that David Byrne should have written a children's book – a volume to convey the best themes of some of the Talking Heads tunes to a younger, impressionable generation. And while that never actually happened, this beautiful edition of work released in ... Book

Gregor Muir & Yilmaz Dziewior ed

Andy Warhol (paperback)
Tate (UK), 2020. New Copy
Way more than just another art book on the creations of Andy Warhol – although there are plenty of those inside, too – as the large volume is part of an exhibition at the Tate in London, which looked not just as Warhol's artwork, but also his past, his ties to the larger scene, and some ... Book
New Press, 2011. New Copy
Here's a book that will blow your mind – and your ears as well – a richly detailed look at the way that sound has been used as a weapon – both as a direct force of sonic power, and as a more subtle means of disturbing space and human activity! The writer is as direct as the title ... Book
Faber & Faber (UK), 2020. New Copy
The music of Robert Wyatt often comes across with a surprisingly poetic quality – one that finally gets its due here in a well-presented book that mixes words from his songs with images and other writings – most done in collaboration with Wyatt's longtime creative partner Alfie Benge! ... Book
Carlton (UK), 2018. New Copy
An album-by-album, song-by-song look at David Bowie in the 70s – in a book that almost offers up album reviews for each Bowie classic, but then breaks the albums down into songs – and has a lengthy passage on each! Some sections are the story behind the song, others deal more with the ... Book

David Lynch & Kristine McKenna

Room To Dream (hardcover)
Random House, 2018. New Copy
From our perspective in the 21st Century, the film career of director David Lynch is the stuff of legend – long and loudly hailed – yet for the man himself, the road to success was a long one – and even along the way, Lynch struggled with countless creative difficulties and ... Book
Abrams, 2022. New Copy
One of the best books we've ever read on any sort of creative scene and cultural moment – a superbly-penned account of the rise of underground comix in the 60s, and the growth and changes of the movement in the decades that followed! Author Brian Doherty makes the scene come alive in ways ... Book
Black Dog & Leventhal, 2019. New Copy
A really cool project, and one that's even cooler than you might guess from the title – as the graphic novel is a very well-done exploration of key strands of electronic music – starting with the early years, moving through disco, Chicago House, Detroit Techno, and beyond – all ... Book
 



⇑ Top