This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
More classic Atlantic R&B, reissued with a great reproduction of a Clyde McPhatter cover, and 4 bonus tracks to boot! Tracks include loads of Clyde's early soulful solo cuts, like "Heartaches", "Come What May", Love Has Joined Us Together", and "Let Me Know". ... CD
Tracks include "Rock Steady", "Spanish Harlem", "Spirit In The Dark", "Bridge Over Troubled Water", "Brand New Me", "Angel", "Oh Me Oh My", "Until You Come Back To Me", and more – 16 cuts in all. CD
Perhaps Donny Hathaway's greatest album from the 70s, and certainly the one with the most amazing arrangements! The record was Donny's last studio session, and it's got him working at a level that's far advanced from even his groundbreaking earlier work – using complicated rhythms and ... CD
The first two albums by Cold Blood – a Bay Area collective of soul and rock players, with a sound that's a jamming tribute to the harder soul of the late 60s. Lydia Pense's the lead singer – with a style that's kind of a sweeter take on the Tina Turner sound – and the mixed band ... CD
A sockin soul collection that features most of the best work that Wilson recorded for Atlantic Records in the 60s – much of it classic southern material, recorded in Memphis, Muscle Shoals, and a few other choice locations. The set's got a total of 24 tracks – and titles include "D ... CD
The album that very firmly put Clarence Carter on the mainstream soul map – thanks to his brilliant version of the title tune! By the time of this set, Carter was already one hell of a soul singer – and really brought amazing sounds to play with classic production from Rick Hall and ... CD
16 of Otis Redding's best numbers, pulled together out of the Stax vaults after Atlantic had more or less completely taken over the Memphis label. Includes "I Can't Turn You Loose", "I've Been Loving You Too Long", "Fa-Fa-Fa-Fa-Fa (Sad Song)", "Try A Little ... CD
A brilliant second set from Change – working here without Luther Vandross on lead vocals, but hardly missing a beat at all! As before, the basslines are at the core of the set – a sweet stripped-down approach that brings even more focus onto the bottom of the groove for early 80s ... CD
Culled from the rich history of the Atlantic records label, and lovingly put together with great notes and everything! 28 tracks in all, including "Ruby Baby" and "Fools Fall In Love" by the Drifters,"In paradise" by the Cookies, "The Chicken & The Hawk" ... CD
Nice UK 2-fer reissue of two of the best Flamingo's albums ever! Both are classic albums recorded for the End label, done at a time when the group were forging their rougher doo wop style into a sweet harmony sound that would go onto influence a generation of singers – and the production, ... CD